top 10 yacht rock albums

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Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”) and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

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Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

Anchors Aweigh

More smooth hits for your next high-seas adventure.

“BREEZIN’”

George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.

“WHATCHA GONNA DO?”

Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.

“BAKER STREET”

Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.

“REMINISCING”

Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.

“WHENEVER I CALL YOU ‘FRIEND’ ”

Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”

“LOTTA LOVE”

Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.

“STEAL AWAY”

Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.

“TAKE IT EASY”

Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.

“BIGGEST PART OF ME”

Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”

“I CAN’T GO FOR THAT (NO CAN DO)”

Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.

“COOL NIGHT”

Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.

“KEY LARGO”

Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).

“AFRICA”

The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.

“SOUTHERN CROSS”

Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

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A beginner’s guide to yacht rock in five essential albums

Yacht rock, soft rock – call it what you will. Here are five brilliant albums that define the genre in all its bearded, Hawaiian shirted glory

Segments of five classic yacht rock album covers

Was there really ever a genre called yacht rock ? Prior to the 2005 online comedy series of the same name, what we now know of as yacht rock was simply soft rock, largely of the 1970s variety, but occasionally dipping into the 80s as well. It was music that was smooth, slick and did little to challenge the listener in the way that heavy metal or punk rock would. Yet sold in the multi-millions, made superstars of its creators, and was beloved by industry professionals for the stellar musicianship and high production values. And above all, it was detested by the critics.

Today, yacht rock is the ultimate guilty pleasure genre. Its patron saints - almost exclusively men, generally bearded – never appeared on posters that graced adolescents’ walls. Yet bands and artists such as The Doobie Brothers , Loggins & Messina and Christopher Cross made sweet, soulful music featuring some of the finest musicians of the era and sounding so, so perfect in the process.

Unlike prog, hair metal or krautrock, the boundaries of what constitutes yacht rock are blurred. There’s little to link the jazzy noodlings of Steely Dan , Boz Scaggs’ smooth pop and the later, 80s pop-rock of Hall & Oates beyond the fact that the various members of Toto appeared on many of these albums, making them kind of a yacht rock mafia.

Yacht rock, soft rock, call it what you will: the men who made it are laughing all the way to the bank in their Hawaiian shirts and well-sculpted facial hair while the rest of us celebrate their music in all its frictionless glory. Critics be damned, these are the five essential yacht rock albums for those who want to plunge into the genre.

Loggins & Messina - Full Sail (1973)

Kenny Loggins was a boyish-looking yet handsomely bearded fellow with a penchant for country-esque ballads. Jim Messina had been in Buffalo Springfield and country rockers Poco . The pair teamed up to record some of Loggins’ material and ended up becoming an unlikely success story, notching up hits with 1971 single The House At Pooh Corner and the following year’s Your Mama Don’t Dance , later covered by hair metallers Poison.

But 1973’s Full Sail was their apex. Featuring the ultimate yacht rock album cover (two men, one yacht), the album itself contains everything from the calypso frivolity of Lahaina , and the smooth jazz of Travellin’ Blues to the joyously upbeat My Music and hit ballad Watching The River Run . This is yacht rock’s ground zero. Boys, what did you unleash?

Boz Scaggs - Silk Degrees (1976)

An early member of the Steve Miller Band , guitarist and vocalist Boz Scaggs’ solo career had begun 1969. But nothing had clicked with the record buying public until he hooked up with David Paich, Jeff Porcaro and David Hungate, all of whom were on the verge of forming Toto , and recorded his seventh solo album, Silk Degrees . A masterful mix of smooth pop and slick ballads, it spawned hits in the shape of It’s Over , Lowdown , We’re All Alone (made famous by Rita Coolidge) and the pulsating Lido Shuffle , a bona fide dancefloor filler.

Classic Rock Newsletter

Steely Dan - Aja (1977)

Arguments rage as to whether these protagonists of achingly cool and clever jazz rock belong in the yacht rock genre, but hey, if the people who made the Yacht Rock online series say the are, who are we to argue?

Their sixth album, Aja , saw Walter Becker and Donald Fagan stretching out into longer form pieces of music that were funkier and jazzier than they’d ever been before, capping it off with one of the most pristine production jobs ever – such were their levels of perfectionism that six crack session guitarists tried and failed to lay down the guitar solo on Peg to their satisfaction (it was the seventh, Jay Graydon, who nailed it). Bonus yacht rock points: auxiliary Dan backing vocalist/keyboard player Michael McDonald was also a member of The Doobie Brothers.

The Doobie Brothers – Minute By Minute (1978)

In 1974, Steely Dan guitarist Jeff ‘Skunk’ Baxter moved across to hugely successful blues rockers The Doobie Brothers on a free transfer. The following year, he suggested recruiting Dan backing singer/pianist Michael McDonald as a replacement for the Doobies’ ailing guitarist/vocalist Tom Johnstone.

With his blue-eyed soul croon and knack for writing uptempo R&B-infused songs, McDonald helped nudge the band towards smoother waters. By 1978’s Minute By Minute , they had fully transformed from moustachioed chooglers into yacht rock kingpins. The album’s blend of soft rock and R&B reached its apotheosis on the majestic What A Fool Believes – co-written with Kenny Loggins, naturally – which ultimately helped turn McDonald into a bigger star than the band. For the record, the singer’s 1986 Sweet Freedom compilation is also yacht rock gold.

Christopher Cross - Christopher Cross (1979)

When Christopher Cross released his self-titled debut album in December 1979, no-one knew who he was. A year later, he’d racked up four Top 20 hits and swept the boards at the Grammy Awards.

It’s not hard to see why: Cross’ spectacular voice was matched by the brilliance of his songs. Everyone knows Ride Like The Wind , featuring that Michael McDonald fella on backing vocals, but it was the mellower Sailing that hit the No. 1 spot ( Ride… only managed No. 2). A year later Cross’ theme to the movie Arthur won him and co-writer Burt Bacharach an Oscar.

Cross was no slouch as a musician either: Steely Dan had asked him to play on their albums and he even filled in for a sick Ritchie Blackmore at a Deep Purple US show back in 1970.

Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

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Top 50 Yacht Rock Songs

Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.

Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.

But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.

Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.

50. "Thunder Island," Jay Ferguson (1978)

Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)

49. "Southern Cross," Crosby, Stills & Nash (1982)

CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)

48. "Jackie Blue," the Ozark Mountain Daredevils (1974)

Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)

47. "Sailing," Christopher Cross (1979)

You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)

46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)

A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)

45. "Sara Smile," Daryl Hall & John Oates (1975)

It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)

44. "Rosanna," Toto (1982)

One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)

43. "Diamond Girl," Seals & Crofts (1973)

Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)

42. "What You Won't Do for Love," Bobby Caldwell (1978)

Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)

41. "We Just Disagree," Dave Mason (1977)

Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)

40. "Crazy Love," Poco (1978)

Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)

39. "Suspicions," Eddie Rabbitt (1979)

Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)

38. "Moonlight Feels Right," Starbuck (1976)

No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)

37. "Same Old Lang Syne," Dan Fogelberg (1981)

“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)

36. "Eye in the Sky," the Alan Parsons Project (1982)

Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)

35. "Somebody's Baby," Jackson Browne (1982)

Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)

34. "Still the One," Orleans (1976)

Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)

33. "New Frontier," Donald Fagen (1982)

In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)

32. "Sail On, Sailor," the Beach Boys (1973)

The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the Byrds and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)

31. "Time Passages," Al Stewart (1978)

Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)

30. "I Go Crazy," Paul Davis (1977)

Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)

29. "Biggest Part of Me," Ambrosia (1980)

Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)

28. "Africa," Toto (1982)

Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)

27. "Hello It's Me," Todd Rundgren (1972)

“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)

26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)

There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)

25. "Dream Weaver," Gary Wright (1975)

Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)

24. "Reminiscing," Little River Band (1978)

The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)

23. "Heart Hotels," Dan Fogelberg (1979)

Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)

22. "Year of the Cat," Al Stewart (1976)

Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)

21. "How Long," Ace (1974)

How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)

20. "Brandy (You're a Fine Girl)," Looking Glass (1972)

Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)

19. "I Can't Tell You Why," Eagles (1979)

Timothy B. Schmit joined just in time to watch the Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)

18. "Sentimental Lady," Bob Welch (1977)

Bob Welch first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)

17. "So Into You," Atlanta Rhythm Section (1976)

Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)

16. "Dreams," Fleetwood Mac (1977)

Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)

15. "Minute by Minute," the Doobie Brothers (1978)

Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)

14. "Lonely Boy," Andrew Gold (1976)

Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)

13. "Baby Come Back," Player (1977)

Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)

12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)

There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ... ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)

11. "Hey Nineteen," Steely Dan (1980)

At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)

10. "Rich Girl," Daryl Hall & John Oates (1976)

It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)

9. "Fooled Around and Fell in Love," Elvin Bishop (1975)

Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)

8. "Baker Street," Gerry Rafferty (1978)

Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)

7. "Dirty Work," Steely Dan (1972)

In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)

6. "Ride Like the Wind," Christopher Cross (1979)

“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)

5. "Summer Breeze," Seals & Crofts (1972)

Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)

4. "Lowdown," Boz Scaggs (1976)

As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)

3. "Lido Shuffle," Boz Scaggs (1976)

Scaggs' storied career began as a sideman with Steve Miller and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)

2. "Peg," Steely Dan (1977)

"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)

1. "What a Fool Believes," the Doobie Brothers (1978)

Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)

Top 100 Classic Rock Artists

Gallery Credit: UCR Staff

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Sailing: 10 Essential Yacht Rock Albums to Own as Vinyl Records

The sun is out, the wind is in your hair, and the smell of salty sea air permeates. It's the time of year that's practically begging you to drop the needle on some good old yacht rock . What is yacht rock, anyway? It's a bit difficult to define, but if the vibes are gentle, the guitars are mellow, and the vocals are buttery smooth, odds are you're listening to yacht rock. Yacht rock is experiencing something of a renaissance in popularity without much of a need or effort to reproduce it. There's something about Kenny Loggins with the windows down that just hits in a way that can't be replicated. As we get summer rolling, here's a list of essential yacht rock albums.

Christopher Cross (1979) — Christopher Cross

Christopher Cross really helped to define the genre with his self-titled debut, right down to the pink flamingo on the cover. The album contains two of Cross' biggest hits, "Sailing" and "Ride Like the Wind," both staples of late '70s soft rock. "Sailing" in particular took on a life of its own, with its mellow, acoustic guitars and string sections coming to define Cross' career.

Takin' It to the Streets (1976) —The Doobie Brothers

The Doobie Brothers emerged in the early 1970s as a relatively traditional rock band. Distorted guitars and high-octane solos were typical of the Doobies' sound, but that changed with the addition of vocalist Michael McDonald in 1976. With McDonald, the group released Takin' It to the Streets , a more laid back, jazzier record that even incorporated a horn section. It was a tremendous success, leading to a permanent shift in musical approach for the band. McDonald left the band in 1982, but recently rejoined, reuniting the golden-era Doobie Brothers lineup.

Breakin' Away (1981) — Al Jarreau

Beginning his career as a jazz musician, Jarreau gradually migrated closer to pop music as the '70s drew to a close. 1981's Breakin' Away is atply titled, as it represents his first major effort at a jazz-pop crossover, released to widespread acclaim. Jarreau added a jazz and soul influence to the yacht rock genre that took it in a new direction and opened doors for other artists to get in the game. Jarreau went on to release several more crossover albums, racking up Grammy nods along the way.

Welcome Home (1978) — Carole King

When all is said and done, Carole King will go down as one of the greatest songwriters of the 20th century. King has penned hit after hit after hit, both for other artists as well as her own impressive catalog. Welcome Home offers up King's typical level of brilliance, with hits like "Morning Sun." King may not fit squarely into the yacht rock subgenre, but the vibes are certainly there, and there's never not a valid excuse to listen to more Carole King.

Can't Buy a Thrill (1972) — Steely Dan

Quick, think of the quintessential "dad band." It's Steely Dan, isn't it? Steely Dan later began experimenting with other genres like jazz fusion and electronic music, but always had one foot firmly planted in yacht rock. Can't Buy a Thrill is about as good of a debut album as can be, featuring iconic tracks like "Dirty Work," "Do It Again," and of course "Reelin' in the Years," iconic opening guitar solo and all.

Late for the Sky (1974) — Jackson Browne

Re-issued on vinyl, Jackson Browne's landmark album, Late for the Sky is the record that thrust him into superstardom. Browne had already worked with the Eagles and other major artists as a songwriter, but Late for the Sky established him as a major player in soft rock, with the title track being used in the film Taxi Driver . This was the album that opened the door for Browne, as he released a string of hits throughout the late '70s and '80s.

No Secrets (1972) — Carly Simon

No Secrets was Carly Simon's third outing, but her first major commercial success. The album features her signature song, "You're So Vain," leading to a web of conspiracy theories as to who the song could possibly be about in the pre-internet age. 50 years after its release, we're left with only a third of the answer. Simon also collaborated with major artists like James Taylor, Paul and Linda McCartney, and Mick Jagger to produce this icon of the '70s.

Outside From the Redwoods (1993) — Kenny Loggins

All hail Kenny Loggins, the Supreme Lord of Yacht Rock. There is arguably no artist so closely identified with the genre, from his days in the Nitty Gritty Dirt Band to his solo work to the pinnacle of yacht rock with Loggins & Messina. Outside From the Redwoods is a live album that serves as something of a retrospective of his career, touching on each phase; yes, even "Footloose." A large part of the yacht rock subgenre is collaboration with other yachties, as Loggins duets with Michael McDonald on "What a Fool Believes."

Songs You Know by Heart (1985) — Jimmy Buffett

Nobody can transport you to a Caribbean island quite like Jimmy Buffett. Released in the '80s, Songs You Know by Heart is a compilation record of some of Buffett's biggest hits, including career-defining tracks like "Cheeseburger in Paradise" and "Margaritaville." Buffett's troves of loyal fans, known as Parrotheads, can chill with the best of them, reclining in their beach chairs, sipping on fruity drinks and spinning vinyl.

Marathon (1979) — Santana

While Santana may be more closely identified with Carlos Santana's ripping blues guitar licks, 1979's Marathon veers into yacht rock. Vocalist Alex Ligertwood's smooth, R&B style vocals provide a new direction for Santana, as tracks like "You Know That I Love You" and "All I Ever Wanted" provided huge commercial success. Of course, the album is far from short on guitar mastery, with "Lightning in the Sky" featuring a signature Santana solo.

Add To Your Collection

Fleetwood Mac: Rumours

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Fleetwood Mac: Greatest Hits

Bob Marley: Legend [Reissue]

Led Zeppelin: Led Zeppelin IV

The Eagles: Their Greatest Hits Volumes 1 & 2

Michael Jackson: Thriller

Johnny Cash: The Essential Johnny Cash

Taylor Swift: Speak Now (Taylor's Version)

Taylor Swift: The Tortured Poets Department [Ghosted White 2 LP]

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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

By Tom Eames

We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

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Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

The Boys Of Summer DON HENLEY(1984) OFFICIAL MUSIC VIDEO

Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

Hall and Oates' 10 best songs, ranked

John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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The 25 Best Yacht Rock Songs Of All Time

Yacht rock isn’t exactly a genre. it’s more a state of mind..

Yacht Rock is the musical equivalent of a mid-afternoon mimosa nap in a nautical location—a balmy lite-FM breeze with the substance of a romance novel and the machismo of a Burt Reynolds mustache comb.

But what exactly is Yacht Rock?

Yacht Rock is ‘70s soft schlock about boats, love affairs, and one-night stands.

Typified by artists like Christopher Cross, Rupert Holmes, and Pablo Cruise, Yacht Rock is not just easy to mock. It’s also deserving of the abuse. There’s a sensitive-male brand of chauvinism that permeates this material—like somehow because you could schnarf an 8-ball of cocaine and sail a boat into the sunset, your indulgences and marital infidelity were actually kind of sexy. Cheap pickup lines and beardly come-ons abound.

And yet, this stuff is irresistible on a slow summer day. It reeks of sunshine and laziness, and couldn’t we all use a little of both?

These are the 25 Best Yacht Rock Songs, in order. Zero suspense. (Sorry if that's less fun for you).

If you would like to learn more about Yacht Rock without getting a sailing license, read on...

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What are the qualifications for inclusion on our list?

So Yacht Rock refers to a type of soft rock, right? But there’s a ton of soft rock out there that doesn’t fit the bill. There’s no room on my boat for Barry Manilow. At the Copa? Sure. But not so much on my boat. So what makes a great yacht rock song exactly?

Ideally, one or more of these themes will be present:

Finding the love of your life;

Having a memorable one-night stand; or

These features pretty much capture everything that’s great about this milieu. But there's also an important cheese factor at play here. While Steely Dan, Hall & Oates, CSN, and the Doobie Brothers all made songs that might qualify for inclusion here, the artists themselves are--let's just say it--too good to be considered Yacht Rock.

We'll make sure to include them in our deluxe playlist at the article's conclusion.

But in order for a song to be considered for our list, it must be at least slightly embarrassing. Case in point, the top song on our list...

1. "Escape (The Pina Colada Song)" by Rupert Holmes

"The Pina Colada Song" is arguably the most perfect embodiment of yacht rock, fulfilling, as it does, all three of the qualifications cited above. Holmes sings about making love in the dunes, attempts to cheat on his wife, then ultimately, rediscovers that his "old lady" is actually the love he's been searching for all along. That's the holy trinity of Yacht Rock themes, all wrapped up in a breezy story of casual adultery.

And at the turn of a new decade, listeners were feeling it. Released as a single in 1979, "Escape" stood at the top of the charts during the last week of the year. Falling to #2 in the new year, it returned to the top spot in the second week of 1980. This made it the first song to top the charts in two separate, consecutive decades. Fun fact: Rupert Holmes never drank a Pina Colada in his life. He just thought the lyric sounded right. Hard to argue that point.

2. "Brandy (You're a Fine Girl) by The Looking Glass

Formed at Rutgers University in 1969, Looking Glass topped the charts in 1972 with the tale of a lovelorn barmaid in a harbor town haunted by lonely sailors. It would be the band's only hit. Lead singer Elliot Lurie would go on to a brief solo career before becoming head of the music department for the 20th Century Fox movie studio in the '80s and '90s.

That means he was the musical supervisor for the soundtrack to Night at the Roxbury . Do with that information what you will. And with respect to "Brandy," see the film Guardians of the Galaxy 2 for Kurt Russell's surprisingly detailed treatise on its lyrical genius.

3. "Summer Breeze" by Seals and Crofts

The title track from the soft-rock duo's breakout 1972 record, "Summer Breeze" is an incurable earworm, a bittersweet twilight dream that captures everything that's right about Lite FM. From an album inhabited by Wrecking Crew vets and studio aces, "Summer Breeze" curls like smoke drifting lazily through an open window.

4. "Africa" by Toto

Toto singer David Paich had never been to Africa. The melody and refrain for this #1 hit from 1982 came to him fully formed as he watched a late night documentary about the plight of the African continent. The lyrics touch on missionary work and describe the landscape, as inspired by images from National Geographic , according to Paich's own recollection. Putting aside its self-aware inauthenticity, "Africa" is an infectious, 8x platinum AOR monster.

5. "Reminiscing” by Little River Band

Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, "Reminiscing" was guitarist Graeham Goble 's nostalgic take on the swing band era. Not only is it the only Australian song ever to reach five million radio plays in the U.S., but rumor is that it was among the late John Lennon's favorite songs.

6. "Drift Away" by Dobie Gray

Originally recorded by a country-swamp rocker named Jeffrey Kurtz, Dobie's 1973 cover became his biggest hit, reaching #5 on the charts. Though not explicitly nautical, "Drift Away" captures the distinct sensation of cruising at sunset.

7. "Love Will Find a Way" by Pablo Cruise

Pablo Cruise may have the most "yachty" of all band names on our list. And "Love Will Find a Way" is sort of the musical equivalent of a ketch skipping along a glassy surface on a crisp summer dawn. Pablo Cruise was formed in San Francisco by expats from various mildly successful bands including Stoneground and It's a Beautiful Day.

And there is a certain slick professionalism to the proceedings here. Of course, Pablo Cruise was never a critic's darling. Homer Simpson once accurately classified them as wuss rock. Still, they perfectly captured the white-folks-vacationing-in-the-Caribbean energy that was all the rage at the time. Love found a way to reach #6 on the Billboard charts, remaining in constant radio rotation during the red-hot summer of '78.

8. "Ride Captain Ride" by Blues Image

Blues Image emerged from South Florida in the late '60s and served as the house band for Miami's vaunted Thee Image music venue upon its inception in 1968. This gave Blues Image the opportunity to open for ascendant headliners like Cream and the Grateful Dead. The association landed them a contract with Atco Records. Their sophomore record, Open , yielded their one and only hit. The Blues Image reach #4 on the charts in 1970 with a tune about a bunch of men who disappear into the mists of the San Francisco Bay while searching for a hippie utopia.

9. "Eye in the Sky" by The Alan Parsons Project

This #3 hit from 1982 has nothing to do with sailing. But it's infectiously smooth production sheen, layered synth, and dreamy vocals make it a perfect Lite FM gem--one cut from the stone that gave us yacht rock. The "Project" was actually a British duo--studio wizard Alan Parsons and singer Eric Woolfson.

The title track from their sixth studio album is their very best recording. It's also often paired with the instrumental lead-in "Sirius," a song famous in its own right for blaring over unnumbered sporting arena PA systems.

If that tune doesn't make you think of Michael Jordan, you probably didn't live through the late 80s.

10. "Miracles" by Jefferson Starship

Marty Balin was a pioneer of the San Francisco scene, founding Jefferson Airplane in 1965 as the house band for his own legendary club--The Matrix. But in 1971, deeply shaken by the death of Janis Joplin, Balin quit his own band. Four years later, he was invited to rejoin his old mates on the already-launched Jefferson Starship.

He immediately contributed what would become the biggest hit by any Jeffersonian vessel. "Miracles" reached #3 in 1975. Gorgeous, elegant, and open, this is a complete anomaly in the Airplane-Starship catalogue. Listen closely for the NSFW lyrics that have often flown under the radar of some adorably innocent censors.

11. "Sad Eyes" by Robert John

In 1972, Robert John had a #3 hit with his cover of "The Lion Sleeps Tonight." And yet, just before recording "Sad Eyes", the Brooklyn-born singer was employed as a construction worker in Long Branch, New Jersey.

In the summer of '79, he would again climb the charts, this time to the top spot. In fact, the charting success of "Sad Eyes" was part of a cultural backlash against the reign of disco. A wave of pop hits swept on to the charts, including this slick soft rock throwback. With his sweet falsetto and doo wop sensibility, Robert John knocked The Knack's "My Sharona" from its 6-week stand atop the charts.

12. "Magnet and Steel" by Walter Egan

Before launching headlong into his music career, Walter Egan was one of the very first students to earn a fine arts degree from Georgetown, where he studied sculpture. The subject would figure into his biggest hit, a #8 easy listening smash from 1978.

Featured on his second solo record, "Magnet and Steel" enjoys the presence of some heavy friends. Lindsey Buckingham produced, played guitar and sang backup harmonies with Stevie Nicks. By most accounts, Nicks was also a primary source of inspiration for the song.

13. "Lido Shuffle" by Boz Scaggs

Of course, not all yacht rock songs are about sailing on boats. Some are about missing boats. Boz Scaggs looks dejected on the cover of 1977's Silk Degrees , but things turned out pretty well for him. This bouncy #11 hit is a classic rock mainstay today.

The band you hear backing Boz--David Paich, Jeff Porcaro, and David Hungate--would go on to form the nucleus of Toto that very same year. Toto, as it happens, is essentially a recurring theme of the genre. Before rising to massive success in their own right, the members of Toto absolutely permeated rock radio in the 70s, laying down studio tracks with Steely Dan, Seals and Crofts, Michael McDonald, and more.

14. "What You Won't Do for Love" by Bobby Caldwell

This smooth-as-silk tune reached #9 on the Billboard Hot 100 upon its 1978 release. It also reached #6 on the Hot Selling Soul Singles Chart. This is significant only because of Caldwell's complexion. He was a white man signed to TK Records, a label most closely associated with disco acts like KC and the Sunshine Band.

Catering to a largely Black audience, the label went to minor lengths to hide their new singer's identity--dig the silhouetted figure on the cover of his own debut. Suffice it to say, once Caldwell hit the road, audiences discovered he was white. By then, they were already hooked on this perfect groove, which you might also recognize as a sample in 2Pac's posthumous 1998 release, "Do For Love."

15. "I Keep Forgettin' (Every Time You're Near)" by Michael McDonald

Technically, Michael McDonald's "I Keep Forgettin'" is an adaptation of an earlier tune by the same name. In fact, the original "I Keep Forgettin" was conceived by the legendary songwriting duo Leiber and Stoller--best known for iconic staples like "Hound Dog", "Kansas City", "Poison Ivy" and much, much more.

The original recording is by Chuck Jackson and dates to 1962. But McDonald's 1982 take is definitive. If that wasn't already true upon its release and #4 peak position on the charts, certainly Warren G. and Nate Dogg cemented its status when they sampled McDonald on "Regulate". Get the whole history on that brilliant 1994 time capsule here .

Oh and by the way, this tune also features most of the guys from Toto. I know, right? These dudes were everywhere.

16. "Baker Street" by Gerry Rafferty

To the casual listener, Gerry Rafferty's name should sound vaguely familiar. Indeed, you may remember hearing it uttered in passing in the film Reservoir Dogs . In a key scene, a radio DJ (deadpan comedian Steven Wright) mentions that Rafferty formed half the duo known as Stealers Wheel, which recorded a "Dylanesque, pop, bubble-gum favorite from April of 1974" called "Stuck in the Middle With You." In the same scene, Mr. Blonde (portrayed with sadistic glee by Michael Madsen), slices off a policeman's ear.

At any rate, this is a totally different song, and is actually Rafferty's biggest hit. "Baker Street" is a tune that reeks of late nights, cocaine, and regret. Peaking at #2 on the Billboard Hot 100, "Baker Street" soared on the wings of the decade's most memorable sax riff. Raphael Ravenscroft's performance would, in fact, lead to a mainstream revitalization of interest in the saxophone writ large.

17. "Wham Bam Shang-A-Lang" by Silver

There are several interesting things about Silver that have almost nothing to do with this song. First, bass guitarist and singer Tom Leadon was both the brother of Bernie Leadon from the Eagles and a member of Tom Petty's pre-fame band, Mudcrutch. Second, the band's keyboardist was Brent Mydland, who would go on to become the Grateful Dead's longest-tenured piano guy. Third, Silver put out their only record in 1976, and future Saturday Night Live standout Phil Harman designed the cover art.

With all of that said, Arista executives felt that their first album lacked a single so they had country songwriter Rick Giles cook up this ridiculous, gooey concoction that I kind of love. Let's say this one falls into the "so bad it's good" category. Anyway, the song peaked at #16 on the charts. The band broke up in '78, leading Mydland to accept the deadliest job in rock music. He defied the odds by playing with the Grateful Dead until an accidental drug overdose claimed his life in 1990.

18. "Biggest Part of Me" by Ambrosia

I admit, I'm kind of hard-pressed to make Ambrosia interesting. In fact, they were extremely prolific, and earned high regard in early '70s prog rock circles. And in the 1990s, lead singer David Pack would actually be the musical director for both of Bill Clinton's presidential inauguration concerts.

But this Southern California combo is much better known to mainstream audiences for their top-down, hair-blowing-in-the-wind soft rock from the decade in between. Peaking at #3 on the Billboard Hot 100 in 1980, "Biggest Part of Me" is the group's best-known tune--a seafoamy bit of blue-eyed soul served over a raw bar of smooth jazz and lite funk.

19. "Baby Come Back" by Player

Player released their self-titled debut album in 1977 and immediately shot up to #1 with "Baby Come Back." Bandmates Peter Beckett and J.C. Crowley had both recently broken up with their girlfriends. They channeled their shared angst into this composition, a self-sorry guilty pleasure featuring former Steppenwolf member Wayne Cook on keys.

Granted, Steppenwolf's edgy disposition is nowhere to be found on this record, but it is pretty infectious in a late-summer-night, slightly-buzzed, clenched-fist sort of way. Player endured various lineup changes, but never returned to the heights of their first hit.

20. "On and On" by Stephen Bishop

Remember that scene in National Lampoon's Animal House (1978) where there's this dude in a turtleneck singing a super cloying folks song before John Belushi mercifully snatches away his guitar and smashes it to smithereens? That guy was Stephen Bishop, who was actually in the middle of enjoying considerable success with his 1976 debut album, Careless .

"On and On" was the album's biggest hit, a vaguely Caribbean soft-rocker that reached #11 on the Billboard Hot 100 in '77. The gentle electric riffs you hear there are supplied by guitarist Andrew Gold--who wrote the theme song for the Golden Girls . (I freakin' know you're singing it right now).

21. "Chevy Van" by Sammy Johns

The classic tale of boy-meets-girls, bangs-her-in-his-van, and brags-to-his-buds, all with backing from the world famous Wrecking Crew studio team. In 1975, a lot of people super related to it. It sold over a million copies and reached #5 on the Billboard Hot 100. I can't tell you this song is good. But I also can't tell you I don't like it.

22. "You Are the Woman" by Firefall

Firefall's lead guitarist Jock Bartley perfectly captures this song's impact, calling the band's biggest hit "a singing version of [a] Hallmark card." That feels right. The second single from Firefall's 1976 self-titled debut was only a regional hit at first. But it was driven all the way to #9 on the Billboard Hot 100 on the strength of radio requests.

As Bartley explained, "Every female between the ages of 18 and 24 wanted to be the woman portrayed in the song, and that caused their boyfriends and spouses to call radio stations and subsequently flood the airwaves with dedications of the song and the sentiment."

23. "Sailing" by Christopher Cross

Arguably, "Sailing" is the single most emblematic song of the Yacht Rock genre. Its thematic relevance requires no explanation. But it's worth noting that the song is inspired by true events. During a tough time in his youth, Cross was befriended by Al Glasscock. Serving as something of an older brother to Cross, Glasscock would take him sailing.

He recalls in his biggest hit that this was a time of escape from the harsh realities of his real life. In 1979, Cross released his self-titled debut. In early 1980, "Sailing" became a #1 hit, landing Cross a hat-trick of Grammys--including recognition as best new artist. Though Cross and Glasscock would lose touch for more than 20 years, they were reunited during a 1995 episode of The Howard Stern Show . Cross subsequently mailed a copy of his platinum record to Glasscock.

24. "Steal Away" by Robbie Dupree

Apparently, this song was perceived as so blatant a ripoff of Michael McDonald and Kenny Loggins' "What a Fool Believes" that legal action was actually threatened.

It never formulated. Instead, Robbie Dupree landed a #6 Billboard Hot 100 hit with the lead single from his self-titled 1980 debut. Critics hated it, but it was a dominant presence in the summer of 1980. It even earned Dupree a Grammy nomination for best new artist. He ultimately lost to the man listed just above--Christopher Cross.

25. "This is It" by Kenny Loggins

You didn't think we'd get through this whole list without an actual Kenny Loggins tune. This song has the perfect pedigree, teaming Loggins and Michael McDonald on a 1979 composition that became the lead single off of Kenny Loggins' Keep the Fire.

Coming on the tail end of the '70s, "This is It" felt positively omnipresent in the '80s. I may be biased here. I grew up in Philadelphia, where a local television show by the same name adopted "This is It" as its theme song. But then, it did also reach #11 on the Billboard Hot 100.

And in that spirit...this is it, the end of our list.

But as usual, here's a bonus playlist--an expanded voyage through the breezy, AOR waters of the mid-'70s to early '80s.

Ready for more?

THE CURRENT YEAR

TCYSHOP.COM

TOP YACHT ROCK ALBUMS

The epicenter of yacht rock was the sound studios of LA, the time 1978-82, with some scant but notable ripples lapping out both forward and backward for a couple of years. This is the West Coast Sound , or West Coast AOR: the songs are smooth, shallow, melodic, with a high production value, and made for summer – especially if you’re a yuppie at the top of your game. They nearly always have electric piano right off the top, and a characteristic “ Doobie bounce ” rhythm.

Some of the key bands and artists include Steely Dan, Toto, The Doobie Brothers, Airplay, and Christopher Cross. There are a number of good notable protoyacht tracks from the mid-70s, such as England Dan & John Ford Coley’s “I’d Really Love To See You Tonight”; the few tracks from the mid to late 80s that still contain the same basic rhythm and feel are already postyacht.

Yacht rock was the brainchild of Hollywood writer J. D. Ryznar . Ryznar – along with pals Hunter Stair, Dave Lyons, and Steve Huey – created the Yacht Rock series in the early oughts, debuting during the June 2005 Channel 101 film festival in LA.

Ryznar and company pinpointed a certain era and vein of American soft rock – or “adult-oriented rock” – recorded by experienced studio musicians, mostly based in LA, and very much associated with singer-songwriters Michael McDonald and Kenny Loggins. The series was a fictionalized account of those musicians, and it ended up becoming the most important look at American soft rock ever made.

After the success of their series, Ryznar and friends popularized yacht rock with a podcast , which eventually led to the format (or bastardizations of such) being picked up on satellite radio and other streaming technologies , as well as DJ’ed in nightclubs everywhere.

It should be noted that yacht rock is not a genre, and was not contemporaneous with the music it describes. Yacht rock is a format – exactly like “classic rock” and other traditional radio formats. And just like classic rock, yacht rock as a designation applied to a set of music of the past is not a fad and will remain a useful categorization for as long as people are interested in that period of music.

Endless lists have been compiled of “yacht rock songs,” some even possibly canonical , but there have been almost no yacht rock album guides. So, we’ve decided to create one.

Not every song on every one of these albums will be 100% marina-certified yacht rock – for instance, there are definite yacht rock tracks on Michael Jackson’s Thriller . Essential yacht rock , even. But that doesn’t mean that “Billie Jean” and “Beat It” are yacht rock. They’re nyacht , and have absolutely no place in a proper “yacht rock” mix. (That fact shouldn’t stop you from playing those songs on your slip in Marina Del Rey, of course.)

Then, there’s also dark yacht , coined and conceived by journalist and actress Katie Puckrik . She felt that Joni Mitchell had “unintentially” created this new format with the title track of her 1975 album, The Hissing of Summer Lawns. We agree, and feel the suburban anguish and yuppie misery is as strong as what might be found in a Don DeLillo novel. To Pickrik’s discovery we add several of our own, including Valerie Carter’s albums of the era. We’ve identified those dark yacht albums in this list as such.

Airplay, Airplay (1980)

Alessi, Alessi (1976), Driftin’ (1978), Long Time Friends (1982)

Peter Allen, Bi-Coastal (1980)

Ambrosia, One Eighty (1980), Road Island (1982)

Paul Anka, Walk A Fine Line (1983)

Patti Austin, Every Home Should Have One (1981)

George Benson, Give Me The Night (1980), The George Benson Collection (1981), In Your Eyes (1983)

The Brecker Brothers, Detente (1980)

Byrne & Barnes, An Eye For An Eye (1981)

Bobby Caldwell, Cat In The Hat (1980)

Valerie Carter, Just A Stone’s Throw Away (1977), Wild Child (1977) (Dark Yacht)

Bill Champlin, Single (1978), Runaway (1981)

Kerry Chater, Love On A Shoestring (1978)

Paul Clark, Drawn To The Light (1982)

Christopher Cross, Christopher Cross (1979), Another Page (1982)

Dane Donohue, Dane Donohue (1978)

The Doobie Brothers, Minute By Minute (1978), One Step Closer (1980)

George Duke, Dream On (1982)

The Dukes, The Dukes Bugatti & Musker (1982)

Robbie Dupree, Robbie Dupree (1980), Street Corner Heroes (1981)

Exile, Don’t Leave Me This Way (1980)

Dwayne Ford, Needless Freaking (1981)

Randy Goodrum, Fool’s Paradise (1982)

Jimmy Hall, Touch You (1980)

Hall & Oates, Voices (1980)

Finis Henderson, Finis (1983)

Amy Holland, Amy Holland (1980)

Michael Jackson, Thriller (1982)

Al Jarreau, Breakin’ Away (1981), Jarreau (1983)

Quincy Jones, The Dude (1981)

Marc Jordan, Mannequin (1978), Blue Desert (1979), A Hole In The Wall (1983)

Karizma, Dream Come True (1983)

Steve Kipner, Knock The Walls Down (1979)

Bill LaBounty, Rain In My Life (1979), Bill LaBounty (1982)

Larsen-Feiten Band, Larsen-Feiten Band (1980)

Nicolette Larson, Nicolette (1978), In The Nick Of Time (1979)

Larry Lee, Marooned (1982)

Kenny Loggins, Celebrate Me Home (1977), Keep The Fire (1979), High Adventure (1982)

Bobby Martin, Bobby Martin (1983)

Maxus, Maxus (1982)

Michael McDonald, If That’s What It Takes (1982)

Sérgio Mendes, Confetti (1984)

Joni Mitchell, The Hissing of Summer Lawns (1975), Hejira (1976) (Dark Yacht)

Jaye P. Morgan, Jaye P. Morgan (1976) (Protoyacht)

Nielsen Pearson Band, Nielsen/Pearson (1980), Blind Luck (1983)

John O’Banion, John O’Banion (1981)

Orleans, Forever (1979)

Pablo Cruise, A Place In The Sun (1977), Worlds Away (1978), Reflector (1981)

Pages, Pages (1981)

Jim Photoglo, Fool In Love With You (1981)

Player, Player (1977)

Lionel Richie, Can’t Slow Down (1983)

Lee Ritenour, Rit (1981)

David Roberts, All Dressed Up (1982)

Diana Ross, Ross (1983)

Brenda Russell, Two Eyes (1983)

The Sanford-Townsend Band, Smoke From A Distant Fire (1977)

Boz Scaggs, Silk Degrees (1976), Middle Man (1980)

Tom Scott, Desire (1982)

Alan Sorrenti, L.A. & N.Y. (1981)

Steely Dan, The Royal Scam (1976), Aja (1977), Gold (Expanded Edition) (1978), Gaucho (1980)

Eric Tagg, Dreamwalkin’ (1982)

Tavares, Supercharged (1980)

Toto, Toto (1978), Hydra (1979), Toto IV (1982)

Roger Voudouris, Radio Dream (1979)

Kelly Willard, Blame It On The One I Love (1978)

Stevie Woods, Take Me To Your Heaven (1981)

These albums are great on vinyl for home and hanging out, but for the car – or the yacht – we highly recommend them on what is probably the ideal yacht rock album format: cassette!

Michael Stutz

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The 10 best yacht rock albums to own on vinyl, climb aboard for the smoothest records you'll ever own.

In 2006, a group of buddies produced a series of short videos called “Yacht Rock.” The videos defined yacht rock as a genre of smooth music, born out of Southern California between 1976 and 1984, and featuring exceptional musicianship with roots in R&B, jazz and folk rock. Its stars: Michael McDonald, Kenny Loggins, Toto and Steely Dan.

The last 11 years have tested the genre’s buoyancy. Since 2006, yacht rock has been co-opted by Big Radio, whose yacht playlists include flimsy AM gold like Bertie Higgins and California corporate rock like the Eagles. Luckily the originators of the term, through their podcast Beyond Yacht Rock, have helped to set the parameters of the genre.

Good yacht rock is frequently credited to many of the same names: established players like multi-instrumentalist Jay Graydon, producer David Foster, percussionist Victor Feldman, and hard-working-studio-band-turned-80s-superstars Toto. And it’s heavier on R&B and jazz than folk rock, incorporating the work of Quincy Jones, Michael Jackson and others.

With that, here are the 10 best yacht rock albums to start your collection - or, shall I say, to christen your vessel.

Shop Till You Drop

Record reviews.

Toto: Toto IV (1982, Columbia)

The album that shot Toto into superstardom is a perfect primer for the yacht rock sound. “Rosanna,” with drummer Jeff Porcaro’s iconic shuffle technique, makes multiple left turns, a crucial component of most yacht songs. You’ll know this album for “Rosanna” and No. 1 smash “Africa,” but the slow groove of “Waiting For Your Love” shows the band’s ability to dip into soul and R&B, a trait that helped them on cuts like “Human Nature” and “The Lady in My Life” off another yacht rock album, Michael Jackson’s Thriller. Toto could also bring the heat with mid-tempo stunners like “Make Believe” and “Good For You.” A deep listen of Toto IV reveals a group of professionals rarely wasting notes.

Boz Scaggs: Silk Degrees (1976, CBS)

If yacht rock is a marriage of jazz, R&B and singer-songwriter folk rock, Boz Scaggs’ breakout Silk Degrees is one of the earliest attempts at matrimony. Boz employed David Paich, David Hungate and Jeff and Joe Porcaro for the album, and their work here would set a template for the Toto sound (combine “Lowdown” and “Lido Shuffle” and you get something near “Rosanna”). There’s a few too many strings here, Boz gets a little too lyrical (Yacht Rock isn’t necessarily a lyricist’s genre) and the bass is so up front that it can feel like disco. But if you want to know the roots of yacht rock, Silk Degrees is a good choice.

Michael McDonald: If That’s What it Takes (1982, Warner Bros.)

Two crucial instruments in yacht rock: the Fender Rhodes keyboard and McDonald’s husky, blue-eyed soul tenor. If That’s What it Takes, McDonald’s solo debut after leaving the Doobie Brothers, has plenty of both. “I Keep Forgettin’ (Every Time You’re Near)” is essential yacht, a chill-out anthem featuring half of Toto, who also appear on the ballad “That’s Why” and slightly discofied “No Such Luck.” McDonald’s buddy Loggins co-writes “I Gotta Try,” one of many yacht anthems about fools looking to change their luck. And make no mistake: McDonald is the poster boy for fools constantly searching for small victories.

Kenny Loggins: High Adventure (1982, Columbia)

Loggins isn’t always yacht rock. Sometimes, like on High Adventure, he’s far too tender (“The More We Try”) or he’s far too heavy (“Swear Your Love”). But there’s a lot of yacht rock range on this enormously fun album, from the Latin-tinged “Heartlight” to the gritty “If It’s Not What You’re Looking For.” Then there’s Loggins’ version of “I Gotta Try” and, finally, a quintessential yacht rock hit, “Heart to Heart.” Loggins is a little lighter and slightly more soulful on his 1979 album Keep the Fire, which includes the stunning “This Is It.” He’s certainly an essential artist in the yacht canon, but always step lightly with Loggins. The guy is a chameleon.

Dane Donohue: Dane Donohue (1978, Columbia)

There are countless yacht rock albums either lost in bargain bins or available only as imports, from the 1980 self-titled album by Airplay (listen to the quintessential “Nothin’ You Can Do About It”) to 1978’s Blue Virgin Isles by Swedish singer Ted Gardestad. Dane Donohue’s 1978 self-titled debut is another, featuring Graydon, Feldman, members of Toto and Los Angeles studio professionals like Larry Carlton, Jai Winding and Steve Gadd. “Can’t Be Seen” has a distinct yacht sound, as does the crisp “Woman,” which features backing vocals from J.D. Souther and Stevie Nicks. You’ll tell quickly that Donohue is a third-rate vocal talent for the genre (McDonald or, say, Al Jarreau would elevate these tracks), but the point is the smooth, polished sound. Yacht rock is a player’s genre.

Steely Dan: Aja (1978, ABC)

Steely Dan’s importance to yacht rock can’t be overstated. They introduced the world to McDonald (“Any World [That I’m Welcome To]” off Katy Lied ) and curated an inner circle of studio professionals versed in jazz, R&B and soul, who would later perfect the yacht sound. Arguably the Dan is smoothest on the 1980 smash Gaucho , but Aja finds Walter Becker and Donald Fagen comfortably hitting a middle-ground stride. You’ve probably heard much of the album already, from the slithering journey of “Deacon Blues” to the percolating “Peg,” but what’s amazing about Aja is its ability to position Steely Dan as a mainstream hit factory while remaining expansive and adventurous (the title track, “I Got the News”).

Patti Austin: Every Home Should Have One (1981, Qwest)

Yacht rock is popularly considered a white man’s genre, but its roots are in the R&B and jazz that manifest itself as yacht soul on outstanding albums like Austin’s Every Home Should Have One. Examples? “Do You Love Me?” sounds awfully like Loggins’ “I Gotta Try.” And one could imagine McDonald singing “The Way I Feel.” “Love Me to Death” could have been a Michael Jackson outtake, or it’s just a rewrite of “Off the Wall.” The album’s high point is the slow burn “Baby, Come to Me,” which includes James Ingram’s smooth delivery, plus Toto’s Lukather on guitar and Foster on synthesizer. Check George Benson’s Give Me the Night and the Pointer Sisters’ Special Things for more examples of yacht soul.

Al Jarreau: Breakin’ Away (1981, Warner Bros.)

If there’s an album that showcases the yacht rock sound at its cleanest, Breakin’ Away may take the trophy. All of the pertinent studio personnel is on the album, from Toto to Graydon - who’s on as producer - laying down an adventurous, crisp template for Jarreau ( R.I.P .) to deliver his sharp, joyous tenor, complete with plenty of scatting. “We’re In This Love Together” and the title track (with Earth, Wind & Fire horns, a Graydon specialty) are mid-tempo yacht rock beauties. Elsewhere Jarreau experiments with jazzier flavors, but the musicianship is still top-notch. Check out Jarreau’s Jarreau from 1982 as another prime yacht rock attempt; both are albums you’ll want to spin on a bright summer morning.

Pages: Pages (1981, Capitol)

Before Richard Page and Steve George formed half of mid-1980s MTV stars Mr. Mister, their buttery voices were integral components of the yacht rock sound, contributing backing vocals on countless tracks. Their 1981 self-titled release (they also released a self-titled album in 1978 that’s more funkified) is pure yacht. Graydon produced half of the album, and Jeff Porcaro shows up frequently behind the kit. The flip-side of the album is more adventurous, but side A is pound-for-pound the best example of the genre you’ll find on vinyl, and one of the best finds of the sound (Pages’ previous Future Street is a little more proggy but still a treat). Seize Pages and you’ll soon find yourself on some roof deck singing along with Page and George.

Christopher Cross: Christopher Cross (1979, Warner Bros.)

Critics may scoff at Cross’ self-titled debut, a massive success that won five Grammys and scored four top-20 hits, but the album is impeccably performed and produced. Nearly everyone involved on the album is a yacht rock mainstay, from producer Michael Omartian down to the usual suspects, Graydon, Feldman and McDonald, who contributes those iconic backing vocals in “Ride Like the Wind.” “Never Be the Same” and “Say You’ll Be Mine” are both solid mid-tempo hits for the era. And then there’s “Sailing.” It’s actually a sonic outlier for the yacht rock genre, heavy on acoustic guitar and strings. But its message fits the genre (a fool searching for inner peace), and yeah, it’s still undeniably smooth.

the 10 best

Timothy Malcolm can be found in a variety of publications across the New York metropolitan area. His writing can also be found there. He enjoys guessing No. 1 hits of the 1980s, visiting breweries, trying any beverage once, watching baseball and hiking for long distances across the Hudson Valley and Catskills of New York.

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Top 100 Greatest Yacht Rock Songs of All Time

Yacht Rock, a term that has steadily grown in popularity, refers to the smooth, groovy rock music of the '70s and '80s that has been popularized over the recent years. Initially categorized as soft rock or adult contemporary, Yacht Rock places a stronger emphasis on the groove rather than the lyrics, making it some of the easiest and catchiest easy listening music for many rock fans. Interestingly, nearly all Yacht Rock songs were created 35-40 years before the genre was officially recognized as its own distinct style, leaving room for interpretation about what exactly qualifies as Yacht Rock. For our criteria, we analyzed the entire catalog of Sirius XM Yacht Rock Radio alongside Spotify and Apple Music’s Yacht Rock playlists and ranked the songs accordingly. Each song included has been deemed Yacht Rock by at least one of these sources and was scored against all other entries. Some songs may rank higher in a broader rock or soft rock sphere, but here are what we have deemed to be the 100 Greatest Yacht Rock Songs of All Time complete with a playlist of all 100 Songs . For a broader list across at songs across the rock realm, be sure to check out the Top 200 Greatest Rock Songs of All Time .

1. What a Fool Believes - The Doobie Brothers

Deemed almost unanimously as the quintessential Yacht Rock tune by the few publications that have taken the time to dive into this same endeavor , What a Fool Believes stands out as one of the grooviest rock tunes to ever achieve mainstream success. Featuring the quintessential Yacht Rock vocalist, Michael McDonald, the song topped charts across North America and became one of the most recognizable and frequently played songs of the '70s. Michael McDonald, who joined The Doobie Brothers in 1975, had become the band's primary vocalist by the release of Minute by Minute in 1978, which houses What a Fool Believes . With this album marking a new sound for the band, especially following the temporary health-related departure of Tom Johnston, the band's new sound was polished to perfection, a dramatic shift from the Toulouse Street sound of the early part of the decade. Nevertheless, What a Fool Believes is a serious earworm, a critically "perfect" pop-rock song, if you will, and a song that reinvented The Doobie Brothers.

2. Peg - Steely Dan

One of the most talented groups on our list, if not the most talented, Steely Dan transcended the typical confines of Yacht Rock during their initial ten-year run. Covering genres from Yacht Rock to jazz rock, progressive rock, and funk rock, Steely Dan captivated audiences uniquely throughout the '70s and early '80s. Walter Becker and Donald Fagen consistently collaborated with the world's finest studio musicians, producing albums of perfectionist caliber. Within the realm of Yacht Rock, Peg takes their top spot, ranking just behind What a Fool Believes in the genre. Once again, Michael McDonald provides backing vocals, harmonizing behind Donald Fagen and Paul Griffin. The silky smooth vocals paired with top-notch instrumentals make Peg a standout track. Furthermore, Aja , the album that houses Peg , is one of the most impressive American albums of all time , beyond its Yacht Rock appeal.

3. Brandy (You're a Fine Girl) - Looking Glass

Released in 1972, the one-hit wonder by Looking Glass, Brandy , established a much bigger name for itself than the band ever managed to achieve on its own. As one of the smoothest and catchiest songs of the ‘70s, Brandy consistently appears on nearly every Yacht Rock, adult contemporary, or easy listening playlist available. The song tells a melancholic tale that is open to interpretation, though it is generally understood to describe an attractive bartender based in Northern New Jersey. Featuring catchy harmonies, clean soft guitar, and subtle horn use, what's not to love about this song?

4. Sailing - Christopher Cross

If it were up to us at Melophobe, the "Yacht Rock Crown" would go to San Antonio’s own Christopher Cross. Although Cross really shined with just his first two studio albums before his later releases (post-1983) fell into obscurity, his early work still grabs all the attention. From his self-titled debut album, Sailing stands out as a top ten hit that's the epitome of Yacht Rock. Interestingly, the term "yacht rock" itself is often linked right back to this song. His debut album is loaded with iconic tunes in this style, with Sailing rightfully taking its place at the forefront.

5. Escape (The Pi ñ a Colada Song) - Rupert Holmes

The second tune in our top ten that found its way onto one of the three Guardians of the Galaxy soundtracks—as well as its original LP release—comes from yacht rock icon Rupert Holmes. Escape (The Piña Colada Song) tells a story that feels more comical today than it might have in the ‘70s, describing a personal ad in search of a like-minded, carefree, fun-loving companion. Beyond the quirky lyrics, the sounds of crashing waves and clean guitars have turned the tune into a timeless earworm, cementing its status as a yacht rock masterpiece long before the term even existed. Guardians of the Galaxy wasn't just a great series for action lovers; who would've guessed its soundtrack would become almost as iconic as the movies themselves?

6. Lowdown - Boz Scaggs

Part of the same studio musician collective that worked with Steely Dan, Boz Scaggs hit major commercial success in 1976 with the release of his richly decorated album Silk Degrees . Boz Scaggs found success as one of the few artists to achieve substantial mainstream success in the jazz rock world aside from Steely Dan, with both artists utilizing many of the same studio musicians. Released from Silk Degrees , the standout yacht rock tune is Lowdown , a tightly produced masterpiece. Similar to Christopher Cross, Boz's peak in the mainstream was relatively brief, with his fame primarily anchored to Silk Degrees and sporadic airplay of his other songs over about a decade.

7. Come and Get Your Love - Redbone

Yet another tune from the Guardians of the Galaxy soundtracks to make our top ten is Come and Get Your Love , released in 1975 by the swamp rock band Redbone. While often labeled as a one-hit-wonder, Redbone actually scored another American top 40 hit in 1971 and enjoyed scattered success in the R&B scene throughout the '70s. Come and Get Your Love has since been celebrated as one of the greatest pop songs of the '70s and also managed to somewhat subtly tap into the disco craze of the era.

8. Margaritaville - Jimmy Buffett

The question of whether Jimmy Buffett fits into the yacht rock category has stirred some debate lately, with the answer remaining somewhat unclear since the term itself is still relatively new. Most agree that Buffett's music is in a category of its own, but there are still those who argue that his unique sound has a place within yacht rock. Regardless, Margaritaville and a few other Buffett tunes are staples on yacht rock radio stations, so we've deemed them eligible. Buffett's music embodies a carefree lifestyle that mirrors the feel and attitude of yacht rock. His iconic song Margaritaville instantly puts listeners in a vacation mindset, a unique characteristic that has garnered it extensive praise and airplay over the years. The passing of Jimmy Buffett, an American legend, touched the hearts of many.

9. Africa - Toto

The first track from the 1980s to make our top ten is Africa from Toto's fourth album, aptly named Toto IV , released in 1982. Africa topped the charts across North America and performed exceptionally well worldwide with its powerful chorus, extensive keyboard usage, and subtle guitar playing. Alongside Rosanna , also from Toto IV , Africa has become a yacht rock staple, but it didn’t stop there—it transcended the genre to become one of the most iconic songs of the '80s. Today, it's still adored, nearing two billion streams on Spotify. The song has also become a favorite for covers, from bar bands to top-notch acts like Weezer.

10. Baby Come Back - Player

Player carved out a slice of mainstream success in the late '70s, as soft rock began to resonate with those not taken by styles like punk rock and disco. Their biggest hit by far was the North American chart-topper Baby Come Back . Aside from being a soft rock staple, the song has also gained a new life as a meme across the internet. While yacht rock songs typically shy away from overly heartfelt or emotional lyrics, focusing more on the groove, Baby Come Back manages to do both masterfully. The song blends notable emotional depth with an undeniably groovy beat, making it incredibly memorable—so much so that it's recognized by just about every American

11. Just the Two of Us - Grover Washington Jr, Bill Withers

12. Southern Cross - Crosby, Stills & Nash

13. Take it Easy - Eagles

14. Arthur's Theme (Best That You Can Do) - Christopher Cross

15. Year of the Cat - Al Stewart

16. Hey Nineteen - Steely Dan

17. Still the One - Orleans

18. Sharing the Night Together - Dr. Hook

19. Sister Golden Hair - America

20. Dreams - Fleetwood Mac

21. Summer Breeze - Seals & Croft

22. Guitar Man - Bread

23. Thunder Island - Jay Ferguson

24. Lido Shuffle - Boz Scaggs

25. Give Me the Night - George Benson

26. How Much I Feel - Ambrosia

27. Reminiscing - Little River Band

28. Doctor My Eyes - Jackson Browne

29. Sara Smile - Hall & Oates

30. Rosanna - Toto

31. All Night Long (All Night) - Lionel Richie

32. I.G.Y. - Donald Fagan

33. Minute By Minute - The Doobie Brothers

34. If You Leave Me Now - Chicago

35. Time Out of Mind - Steely Dan

36. Kokomo - The Beach Boys

37. Eye in the Sky - Alan Parsons Project

38. Sentimental Lady - Bob Welch

39. Rich Girl - Hall & Oates

40. What You Won't Do for Love - Bobby Caldwell

41. Ride Like the Wind - Christopher Cross

42. I'd Really Love to See You Tonight - England Dan & John Ford Coley

43. Lovely Day - Bill Withers

44. Graceland - Paul Simon

45. Changes In Latitudes, Changes In Attitudes - Jimmy Buffett

46. Time Passages - Al Stewart

47. One of These Nights - Eagles

48. She's Gone - Hall & Oates

49. Silly Love Songs - Wings

50. Hold On - Santana

51. Steal Away - Robbie Dupree

52. Dance With Me - Orleans

53. Listen to the Music - The Doobie Brothers

54. How Long - Ace

55. So Into You - Atlanta Rhythm Section

56. Diamond Girl - Seals & Croft

57. Lotta Love - Nicolette Larson

58. We Just Disagree - Dave Mason

59. Mexico - James Taylor

60. Keep on Loving You - REO Speedwagon

61. Baker Street - Gerry Rafferty

62. Tender is the Night - Jackson Browne

63. Love Will Find a Way - Pablo Cruise

64. You Can Do Magic - America

65. Key Largo - Bertie Higgins

66. When You're In Love With a Beautiful Woman - Dr. Hook

67. Dirty Work - Steely Dan

68. All Out of Love - Air Supply

69. I Saw the Light - Todd Rundgren

70. Let Me Love You Tonight - Pure Prairie League

71. I Love You - Climax Blues Band

72. I Keep Forgettin' (Every Time You're Near) - Michael McDonald

73. This is It - Kenny Loggins

74. The Things We Do For Love - 10cc

75. Say You Love Me - Fleetwood Mac

76. Biggest Part of Me - Ambrosia

77. You're the Inspiration - Chicago

78. Dream Weaver - Gary Wright

79. Longer - Dan Fogelberg

80. You Are - Lionel Richie

81. Just a Song Before I Go - Crosby, Stills & Nash

82. Right Down the Line - Gerry Rafferty

83. New Frontier - Donald Fagan

84. I Love a Rainy Night - Eddie Rabbitt

85. Cool Night - Paul Davis

86. Get Down On It - Kool & The Gang

87. It's Raining Again - Supertramp

88. Vincent - Don McLean

89. Crazy Love - Poco

90. Spooky - Atlanta Rhythm Section

91. Vienna - Billy Joel

92. Cool Cat - Queen

93. Nothing's Gonna Change My Love For You - George Benson

94. Hypnotized - Bob Welch (Also Released by Fleetwood Mac)

95. Casablanca - Bertie Higgins

96. Think of Laura - Christopher Cross

97. Fooled Around and Fell in Love - Elvin Bishop

98. Private Eyes - Hall & Oates

99. Lonesome Loser - Little River Band

100. Moonlight Feels Right - Starbuck

All of the picks from this list have been compiled into a streamable Spotify Playlist below entitled Yacht Rock Top 100 .

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Playlist of the Week: Top 100 Songs of Yacht Rock

Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands, and is the current subject of a short-run channel on Sirius XM.

Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.

	Artist	Title
1	Steely Dan	Hey Nineteen
2	Herb Alpert	Route 101
3	Robbie Dupree	Steal Away
4	Jan Hammer Group	Don't You Know
5	Blues Image	Ride Captain Ride
6	Toto/Cheryl Lynn	Georgy Porgy
7	Gerry Rafferty	Right Down The Line
8	Paul Young	Every Time You Go Away
9	Boz Scaggs	Jojo
10	Johnny Nash	I Can See Clearly Now
11	Daryl Hall/John Oates	Sara Smile
12	Orleans	Dance With Me
13	Olivia Newton John	Magic
14	Seals & Crofts	Summer Breeze
15	Lionel Richie	All Night Long
16	Fleetwood Mac	You Make Loving Fun
17	Steely Dan	Deacon Blues
18	Christopher Cross	Ride Like The Wind
19	Little River Band	Cool Change
20	Jackson Browne	Somebody's Baby
21	10cc	Dreadlock Holiday
22	Dr. Hook	When You're In Love With A Beautiful Woman
23	Boz Scaggs	Lowdown
24	Player	This Time I'm In It For Love
25	Fleetwood Mac	Everywhere
26	Steely Dan	Peg
27	Todd Rundgren	I Saw The Light
28	Gerry Rafferty	Baker Street
29	Eagles	One Of These Nights
30	James Ingram	Yah-Mo Be There
31	10cc	I'm Not In Love
32	Ambrosia	Biggest Part Of Me
33	Terri Gibbs	Somebody's Knockin'
34	Atlanta Rhythm Section	So In To You
35	Boz Scaggs	Lido Shuffle
36	Steve Miller Band	Wild Mountain Honey
37	Michael McDonald	I Gotta Try
38	Matthew Wilder	Break My Stride
39	England Dan & John Ford Coley	I'd Really Love To See You Tonight
40	Player	Baby Come Back
41	Kenny Loggins	This Is It
42	Michael McDonald	I Keep Forgettin' (Every Time You're Near)
43	Toto	Rosanna
44	Daryl Hall/John Oates	Kiss On My List
45	The Doobie Brothers	What A Fool Believes
46	Christopher Cross	Sailing
47	Loggins & Messina	Watching The River Run
48	Eagles	The Long Run
49	Looking Glass	Brandy (You're A Fine Girl)
50	Bread	Everything I Own
51	Steely Dan	Reelin' in the Years
52	Joe Jackson	Steppin' Out
53	Jackson Browne	Doctor My Eyes
54	Sanford & Townsend	Smoke from a Distant Fire
55	Bobby Caldwell	What You Won't Do For Love
56	Fleetwood Mac	Rhiannon
57	Ace	How Long
58	Daryl Hall/John Oates	Rich Girl
59	Toto	Africa
60	Steely Dan	Do It Again
61	Bertie Higgins	Key Largo
62	Rupert Holmes	Escape (The Pina Colada Song)
63	Little River Band	Reminiscing
64	Jimmy Buffett	Margaritaville
65	Fleetwood Mac	Dreams
66	Firefall	Just Remember I Love You
67	Eagles	I Can't Tell You Why
68	Eagles	The Best Of My Love
69	Eagles	Take It To The Limit
70	Eagles	Tequila Sunrise
71	Chicago	Saturday In The Park
72	Bob Welch	Sentimental Lady
73	America	Sister Golden Hair
74	America	A Horse With No Name
75	Ambrosia	How Much I Feel
76	Alan Parsons	Eye In The Sky
77	Air Supply	Lost In Love
78	Steely Dan	Dirty Work
79	Steely Dan	Only A Fool Would Say That
80	Orleans	Still The One
81	Stephen Bishop	Sinking In An Ocean Of Tears
82	10cc	The Things We Do For Love
83	America	Ventura Highway
84	Al Stewart	Year Of The Cat
85	Bread	Baby I'm A Want You
86	Firefall	You Are The Woman
87	George Benson	Gimme The Night
88	Barbara Streisand/Barry Gibb	Guilty
89	Christopher Cross	Arthur's Theme
90	Marty Balin	Hearts
91	Poco	Barbados
92	Daryl Hall/John Oates	I Can't Go For That (No Can Do)
93	Al Stewart	Time Passages
94	Jay Ferguson	Thunder Island
95	Dr. Hook	Sexy Eyes
96	Donald Fagen	I.G.Y.
97	Michael McDonald	Gotta Try
98	Bread	Make It With You
99	Pablo Cruise	Whatcha Gonna Do
100	Doobie Brothers	Dependin' On You
101	Ozark Mountain Daredevils	Jackie Blue
102	Pablo Cruise	Love Will Find A Way
103	Starbuck	Moonlight Feels Right
104	Billy Ocean	Caribbean Queen
105	Linda Ronstadt	Ooh Baby Baby
106	Hues Corporation	Rock The Boat
107	Loggins & Messina	Danny's Song
108	Rupert Holmes	Answering Machine
109	Stephen Bishop	On And On
110	Bread	The Guitar Man
111	Seals & Crofts	Diamond Girl
112	Air Supply	Even The Nights Are Better
113	Ambrosia	You're The Only Woman
114	George Benson	Breezin'
115	Daryl Hall/John Oates	She's Gone
116	Dave Loggins	Please Come To Boston
117	Rickie Lee Jones	Chuck E.'s In Love
118	Captain/Tennille	Love Will Keep Us Together
119	Dr. Hook	Better Love Next Time
120	Chilliwack	I Believe
121	Crosby, Stills & Nash	Southern Cross
122	Climax Blues Band	Couldn't Get It Right
123	Gilbert O'Sullivan	Alone Again (Naturally)
124	America	Daisy Jane
125	Beach Boys	Sail On, Sailor

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Top 10 All-Time Yacht Rock Songs Ranked

July is here and it’s prime season for Yacht Rock Songs. Time to sit back on your yacht, or ummm dingy, and listen to the smooth sounds from the mid-70s to the mid-80s, with temp hopefully right there as well. The seagulls cry the white caps slap against the fiberglass hull, and you hold your glass of buttery chard oh so gently while inspecting those bikinis. It’s a tough job, but somebody’s yachtta do it!

Yeah, But What The Hell Is Yacht Rock?

According to AllMusic , Yacht Rock is a broad music style and aesthetic commonly associated with Soft Rock, one of the most commercially successful genres from the mid-1970s to the mid-1980s. Drawing on sources such as Smooth Soul, Smooth Jazz, R&B, and Disco. Meanwhile, common stylistic traits include high-quality production, clean vocals, and a focus on light, catchy melodies. [6] The term yacht rock was coined in 2005 by the makers of the online video series Yacht Rock , who connected the music with the popular SoCal leisure activity of boating. It was considered a pejorative term by some music critics.

Furthermore, In 2014, AllMusic ‘s Matt Colier identified the “ key defining rules of the genre :”

Keep it smooth, even when it grooves, with more emphasis on the melody than on the beat
Keep the emotions light, even when the sentiment turns sad (as is so often the case in the world of the sensitive yacht rocksman)
“Always keep it catchy, no matter how modest or deeply buried in the tracklist the tune happens to be “

View this post on Instagram A post shared by Yacht Rock Memes (@yacht_rock_memes)

So Who Is The Yachtiest Of The Yacht Rockers?

This is 100 percent my own opinion. Top Ten does not leave a lot of room for error. I consider myself a pretty solid Yacht Rocker, and quite the musicologist. However, in the rare case you feel I make a mistake and leave off one of your Yacht Rock favs, have my people call your people and we’ll get together off the coast of Island Beach State Park for some Sangria and Cheese, and a little Yacht Rock, of course!

By The By, Lovey, if you’re looking for the perfect Yacht Rock swag to rock this summer, check this article out!

Plus if you need a place to dry dock and yacht rock, here’s a spot that Yachts every Sunday all summer long!

Baker Street - Gerry Rafferty

The late great former front man of Stealers Wheel, had later solo success with this and a few other songs. However, there is no way Gerry could have known his Saxophone anthem balancing life and love while living in London, would go on to become the Stairway To Heaven of Yacht Rock.

https://www.youtube.com/watch?v=dU6w56epBdc

Sailing - Christopher Cross

If Baker Street is the Stairway of Yacht Rock, this most certainly is the Layla. A 1979 masterpiece about a boy and his sailboat that Cross has said was inspired by sailing with his older friend. Ridiculed throughout the 80s as a symbol of 70’s schmaltz, it has found life and love as a Yacht Rock staple for a whole new generation.

Summer Breeze - Seals & Crofts

The oldest of our Top 10, this song was released in the late summer of 1972, and immediately became a top 10 hit on the Billboard charts. It screams Summer, and beachy vibes, and of course the smell of Jasmine and the line “July is dressed up and playing her tune” cannot be denied as all time Yacht Rock.

Escape (The Pina Colada Song) - Rupert Holmes

The song most people who know nothing about Yacht Rock, most closely associate Yacht Rock with. Now that’s fine, and yes it is an all time great Yachtty classic, but think of it as your gateway drug to so much more: Next you’ll be wearing a captains hat and a Hawaiian shirt.

Africa - Toto

The New England Patriots of Yacht Rock songs right here my friends. Too much of a good thing can be dangerous. Great band, great song, but it’s flown way too far over the radar for way too long. Still, It’s gonna take a lot to drag me away from singing along.

Lido Shuffle - Boz Skaggs

A few years before they were blessing the rains down in Africa, the boys from Toto were much sought after studio musicians. They helped good ol Boz on this 1977 super hit, that has gone on to become the go to song for doing Green Tea shots on the deck before the Saturday Night fireworks kick in. And I quote: “Whoa Whoa Whoaoooo ooooo oooooo”

Breezin' - George Benson

Old George really came through for the soft rock/jazz world with this 1976 classic. Plus it’s the perfect Yacht Rock song for some early morning Mimosas and below deck nookie.

FM- Steely Dan

Kind of a toss up here between FM and Do It Again, but this has more of a party feel so I’m going with the kicking off of the high heel sneakers, and the grapefruit wine. Hey don’t knock it til ya try it on the bow at sunset, baby!

She's Gone - Hall And Oates

You can have heartache, just as long as it has a good groove and doesn’t bring the party down. Just ask Hall and Oates, they do it here to a tee. Talk to Isaac about your problems buddy, or whatever your yacht’s bartender is named.

Ride Like The Wind - Christopher Cross

What can I say. The man is the muse of a genre. With apologies to great Yacht Rock songs like Brandy, What A Fool Believes, Couldn’t Get It Right, and just about the entire catalog from Pablo Cruise, Ride Like The Wind is just captivating when you listen to it out on the bay doing 12 knots. Plus, at least we get our daily dose of Michael McDonald in!

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Soft rock, hard partying: The six greatest Yacht Rock songs of all time in Asbury Park

Yacht Rock has made a big splash in the music world.

Here in Asbury Park, fans set sail quite a few years ago for Yacht Rock. Five years ago, to be exact, when DJ Atom Worth started hosting his multimedia Yacht Rock Night at the then-named Asbury Park Yacht Club.

It's now called Low Dive and DJ Atom Worth and Yacht Rock return Friday, Aug. 25.

Yacht Rock is the term, first used in a 2005 online music parody, for the Southern California soft rock of the late ‘70 and early ‘80s. Call it a grand repackaging with polyester shirts and bell bottom jeans. Dance, hang or watch the Yacht Rock videos at Low Dive on Friday.

It's a night of soft rock and hard partying.

Need a break? Play the USA TODAY Daily Crossword Puzzle.

“Seventies sleaziness (in dress) is encouraged,” said Worth previously to the USA Today Network NJ. “We usually get a few people who show up in captain’s hats.”

In honor of the event, we present the Top 6 Yacht Rock songs, as enjoyed by Asbury Park fans, with the help of Low Dive entertainment director Peter Mantas.

More: Nils Lofgren's connection to Asbury Park landmark featured on new album, 'Mountains'

More: Lauryn Hill 'Miseducation' anniversary tour to include Fugees reunion: Here's ticket info

“Sailing” Christopher Cross (1980)

The chimes, background synths and arpeggio guitar chords on “Sailing” does indeed make one feel that one is sailing. Or, perhaps, the feeling is more like floating. Cross was floating on air after the year's Grammy awards. The song won Record of the Year, Song of the Year, and Arrangement of the Year, while Cross picked up the Best New Artist award.

“I'm Alright” Kenny Loggins (1980)

Loggin's gamboling free-spirit anthem has plenty of hooks, nooks and production tricks that will make you smile on the first listen or two. After that, frankly, it becomes annoying. The track is from the hit movie comedy “Caddyshack,” and it predates an even bigger movie-related '80s smash for Loggins, the similarly cloying “Footloose.”

“I Can't Go for That (No Can Do)” Hall and Oates (1981)

One can argue that after a promising blue-eyed soul start (“Sara Smile”) in the '70s, Philly's Hall and Oates lost their artistic way in the '80s. Yet, they did find their way to the bank for plenty of withdrawals in the decade, thanks to pop-lite hits like “I Can't Go For That (No Can Do).” To be fair, it's not a terrible song, but the tempo needed to be slowed and the production needed to be reined in to make it a high-quality work.

“Baby Come Back” Player (1977)

The irony of “Baby Come Back” is that it sounds eerily like Hall and Oates' 1973 smash “She's Gone,” which is a great song. Yet, the Yacht Rock crew seems partial the sub-standard '80s Hall and Oates material, rather than their superior '70s sounds. Still, “Baby Come Back,” by the British and American group Player, was a No. 1 hit in 1977 and it’s a great song.

“Rio” Duran Duran (1982)

“Rio,” the 1982 MTV hit by Duran Duran, is not quite Yacht Rock, but the video was filmed on a boat in a tropical setting so it makes the list.

“Escape (The Pina Colada Song)” Rupert Holmes (1980)

The classic story song tells of a couple who “had fallen into the same old dull routine” and both place personal ads in the newspaper — this was way before Tinder, folks. Imagine the surprise when they both show up at O'Malley's to find each other — again. Pina Colada on the house!

Go: DJ Atom Worth's Yacht Rock Night, 9:30 p.m. Friday, Aug. 25, Low Dive, 1000 Ocean Ave., Asbury Park. Free. www.lowdiveap.com.

Subscribe to app.com for the latest on the New Jersey music scene.

Chris Jordan, a Jersey Shore native, covers entertainment and features for the USA Today Network New Jersey. Contact him at @chrisfhjordan; [email protected]

The 25 top-selling rock albums of all time

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Critics are mixed over Sabrina Carpenter's album

Image source, Reuters

Author, Ian Youngs
Role, Culture reporter
23 August 2024

Reviewers for US pop star Sabrina Carpenter's hotly-anticipated new album have described it as "smart pop underneath the froth" at one end of the scale, to having "no ideas, no integrity and no identity" at the other.

Short n' Sweet is Carpenter's sixth album at the age of 25, but this summer has seen her catapulted to superstardom by the success of her single Espresso.

In a four-star review, the Times music critic Victoria Segal wrote : "The album can’t quite match Espresso’s language-mangling head-rush, but it seems Carpenter prefers her songs to be like her coffee: short and a little bitter.

"Most just graze three minutes, enough time to let her bounce between her keynote moods of intense lust, spacey sadness and vengeful fury."

'Terrifically glossy'

Beyond her "killer singles" Espresso and Please Please Please, Carpenter is at her best as "a kind of Gen Z Dolly Parton" on the songs Coincidence and Slim Pickins, Segal wrote.

"She’s left it late to claim the summer but, beneath the fun, frothy trappings, Short n’ Sweet suggests Carpenter is here for the long haul."

The Independent's Helen Brown said the success of the two lead singles mean the album has a lot riding on it.

"I’m happy to report that those punchy little song-shots aren’t the only cool moments on an album that confidently hair-flips its way between TikTok pop, yacht rock, country and R&B without breaking stride or losing identity," she wrote.

Brown's four-star review picked out forthcoming single Taste ("a terrifically glossy slice of FM rock") and Coincidence ("imagine a 21st-century version of Crosby Stills Nash and Young with Joni Mitchell singing along around a beach fire").

"The whole thing is delightfully caffeinated: Short n’ Sweet is full of hiss and steam, grinding gears and deep kicks beneath the shining chrome surfaces," she concluded.

'Lightweight and derivative'

The Standard's El Hunt gave three stars , calling Short n' Sweet "bright n' breezy, but lacking in boldness".

"If you were expecting Carpenter’s Short n’ Sweet to serve up a whole tray of freshly brewed Espressos, then think again: that song ends up feeling like a total outlier on an album that instead pulls from twanging country, Swiftian acoustic ballads, the sort of floaty R&B favored by Ariana Grande, and 80s synth-pop," she wrote.

"Though these are all perfectly serviceable pop songs, many of them end up feeling lightweight and derivative in comparison to its biggest hit."

Clash's Ims Taylor agreed that the album as a whole doesn't match her lead singles - those "sultry, retro-tinged pop bops that assert Carpenter’s place as pop star, irresistible icon, reigning supreme over charts and admirers with infinite confidence".

"But no – Short n’ Sweet veers towards the softer, more sincere side."

Marking it seven out of 10, Taylor added: "Carpenter is writing straight from the heart: no pretentiousness, no lofty aspirations, just precisely the silly, emotional, passionate thoughts that run through the head of a 25-year-old woman in a situationship."

She concluded: "Short n’ Sweet as a whole is a little less addictive than its lead single, and a little less sensitive than its predecessor, but it’s a solid entry into the Sabrina canon, with plenty of potential to sneak up on you with a gut-punch should you ever find yourself relating to it."

The i newspaper's Emily Bootle was less forgiving , awarding two stars to an album she said was mostly "entirely forgettable".

"What Carpenter possesses in juicy aesthetic she lacks in musical integrity," she wrote.

"There’s only so far being a sexy baby can get you, and while Short and Sweet gives a good dose of her effortless soprano runs and a heady rush of saccharinity... it seems to have almost no organic essence or interesting musical ideas."

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The 10 Best Yacht Rock Albums To Own On Vinyl
The 10 Best Yacht Rock Albums To Own On Vinyl
The 10 Best Yacht Rock Albums To Own On Vinyl
The 10 Best Yacht Rock Albums To Own On Vinyl
The 10 Best Yacht Rock Albums To Own On Vinyl
Sailing: 10 Essential Yacht Rock Albums to Own as Vinyl Records & Victrola

COMMENTS

Yacht Rock: Album, Record Guide
Christopher Cross, Christopher Cross (1979) Cross' debut swept the 1981 Grammys for a reason: It's that rare yacht-rock album that's graceful, earnest, and utterly lacking in smarm. Songs ...
AllMusic's Best Yacht Rock Albums of All Time
Highest Rated Yacht Rock Albums of All Time. 1. Boz Scaggs - Silk Degrees. 2. Donald Fagen - Morph the Cat. 3. Al Jarreau - Breakin' Away. 4.
Best Yacht Rock albums of all time
Bill LaBounty. 3.57 237 10. 2 January 1982. Yacht Rock. Blue-Eyed Soul Adult Contemporary. breakup introspective lonely love mellow sentimental melodic longing. Silk Degrees. Boz Scaggs. 3.50 1,616 47.
Yacht Rock: A Beginner's Guide In 5 albums
A beginner's guide to yacht rock in five essential albums. By Jerry Ewing. ( Classic Rock ) published 1 July 2023. Yacht rock, soft rock - call it what you will. Here are five brilliant albums that define the genre in all its bearded, Hawaiian shirted glory. When you purchase through links on our site, we may earn an affiliate commission.
Top 50 Yacht Rock Songs
20. "Brandy (You're a Fine Girl)," Looking Glass (1972) Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town ...
Sailing: 10 Essential Yacht Rock Albums to Own as Vinyl Records
Late for the Sky (1974) — Jackson Browne. Re-issued on vinyl, Jackson Browne's landmark album, Late for the Sky is the record that thrust him into superstardom. Browne had already worked with the Eagles and other major artists as a songwriter, but Late for the Sky established him as a major player in soft rock, with the title ...
Rolling Stone's Best Yacht Rock Albums of All Time
America - Your Move. 23. America - View from the Ground. 24. TOTO - The Seventh One. NOTE: This is not a year end list. This list is ordered by the ratings awarded albums throughout all. Rolling Stone's Best Yacht Rock Albums of All Time. View reviews, ratings, news & more regarding your favorite band.
The Best Yacht Rock Albums of All Time
The War on Drugs - I Don't Live Here Anymore. 5. Steely Dan - Two Against Nature. 6. Slow Dancer - In A Mood. 7. The Donkeys - Living On The Other Side. The Best Yacht Rock Albums of All Time. View reviews, ratings, news & more regarding your favorite band.
Best Yacht Rock albums of all time
Top Yacht Rock albums of all time. Prev. 1 2 ... 27 Next. Updated: 2 April. Average Ratings Reviews. Aja. Steely Dan. 4.01 17k 17,055 282 282 23 September 1977 Album. Jazz-Rock Yacht Rock Pop Rock. Funk Rock Jazz Pop. mellow lush complex soft warm nocturnal bittersweet melodic. 17k ...
Yacht Rock
Playlist · Yacht Rock - 100 Best Ever - Top Yacht Rock Songs · 113 songs · 2.1K likes.
The 20 greatest yacht rock songs ever, ranked
Seals & Crofts - 'Summer Breeze'. Summer Breeze - Seals & Croft #1 Hit (1972) Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts. While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.
Most popular Yacht Rock albums of all time
9 September 1978. Yacht Rock Jazz-Rock. Smooth Soul Jazz-Funk Jazz Fusion Progressive Rock Funk Rock. melodic technical complex romantic passionate energetic nocturnal rhythmic. Bigger Than Both of Us. Daryl Hall & John Oates. 3.27 567 16. 8 September 1976. Blue-Eyed Soul Yacht Rock.
The 25 Best Yacht Rock Songs Of All Time
Putting aside its self-aware inauthenticity, "Africa" is an infectious, 8x platinum AOR monster. 5. "Reminiscing" by Little River Band. Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, "Reminiscing" was guitarist Graeham Goble 's nostalgic take on the swing band era.
8 Essential Yacht Rock Albums
8 Essential Yacht Rock Albums. Boz Scaggs Silk Degrees COLUMBIA, 1976 Leisure-suited hot-tub funk from the former Steve Miller Band guitarist and future restaurateur dancing the squeakiest-clean ...
Top Yacht Rock Albums
We are a highly curated record store specializing in -- and championing -- music that matters. Our focus is on indie, import, and rare mood music, dance, lounge, exotica, disco, city pop, vaporwave, and soft tempo luxuria music. We also stock and love classical, world, jazz, soul, funk, even rock -- from shoegaze to yacht, psychedelic to prog, 70s AOR radio sounds to 80s synthpop, surf and garage.
The 10 Best Yacht Rock Albums To Own On Vinyl
Quality guarantee. Toto: Toto IV (1982, Columbia) The album that shot Toto into superstardom is a perfect primer for the yacht rock sound. "Rosanna," with drummer Jeff Porcaro's iconic shuffle technique, makes multiple left turns, a crucial component of most yacht songs. You'll know this album for "Rosanna" and No. 1 smash "Africa ...
Top 100 Greatest Yacht Rock Songs of All Time
Furthermore, Aja, the album that houses Peg, is one of the most impressive American albums of all time, beyond its Yacht Rock appeal. 3. Brandy (You're a Fine Girl) - Looking Glass. Released in 1972, the one-hit wonder by Looking Glass, Brandy, established a much bigger name for itself than the band ever managed to achieve on its own.
Top 100 Yacht Rock Songs
Top 100 Yacht Rock Songs. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop.
Playlist of the Week: Top 100 Songs of Yacht Rock
This week we take a deep dive into the soft rock hits of the late '70s and early '80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 ...
Top 10 All-Time Yacht Rock Songs Ranked
Summer Breeze - Seals & Crofts. The oldest of our Top 10, this song was released in the late summer of 1972, and immediately became a top 10 hit on the Billboard charts. It screams Summer, and beachy vibes, and of course the smell of Jasmine and the line "July is dressed up and playing her tune" cannot be denied as all time Yacht Rock.
Top 10 Yacht Rock Songs Of All Time
While entire albums from the Steely canon could be considered Yacht Rock staples, if you had to pinpoint one singular song that exemplifies the good life of Dom Perignon, fresh Colombian powder ...
The Best Yacht Rock Albums of All Time by User Score
5. Bobby Caldwell - Bobby Caldwell. 6. The War on Drugs - I Don't Live Here Anymore. 7. Steely Dan - Two Against Nature. Create an account to have a say in this list. A look at the The Best Yacht Rock Albums of All Time by User Score. Rate your favorite albums to have your say in this list of the top user rated albums.
The six greatest Yacht Rock songs of all time in Asbury Park
Yacht Rock is the term, first used in a 2005 online music parody, for the Southern California soft rock of the late '70 and early '80s. Call it a grand repackaging with polyester shirts and ...
Elvis Presley Scores A Brand New Top 10 Album
Memphis nearly entered the top 10 on one more tally, though it missed out on doing so by just a single space. Presley's project launches on the Official Vinyl Albums ranking at No. 11 this frame.
The 25 top-selling rock albums of all time
In terms of what constitutes a "rock" album, we went with consensus and inclusion of sub-genres of the "rock" category, such as hard rock/heavy metal, pop rock, soft rock, and folk rock.
Mushroomhead Reaches An All-Time Peak With Their New Album
Call The Devil marks Mushroomhead's first top 10 hit on the Official Rock & Metal Albums tally. The group came very close to reaching the highest tier on the chart with their previous full ...
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Copper Blue was actually more of a hit across the pond first, reaching #10 in the UK album charts and with NME naming it the Best Album of 1992; the record really caught on with American alt-rock ...
YACHT ROCK
Playlist · YACHT ROCK | TOP 100 SONGS · 153 songs · 52.9K likes
Critics are mixed over Sabrina Carpenter's album
"I'm happy to report that those punchy little song-shots aren't the only cool moments on an album that confidently hair-flips its way between TikTok pop, yacht rock, country and R&B without ...

Yacht Rock: Album Guide

David Browne

Boz Scaggs, Silk Degrees (1976)

Steely Dan, Aja (1977)

The Doobie Brothers, Minute by Minute (1978)

Editor’s picks

Further Listening

Christopher Cross, Christopher Cross (1979)

Rupert Holmes, Partners in Crime (1979)

Steely Dan, Gaucho (1980)

Going Deeper

Related Stories

Kenny Loggins, Keep the Fire (1979)

Dr. Hook, Sometimes You Win (1979)

Carly Simon, Boys in the Trees (1978)

Anchors Aweigh

The Making of 'Fragile,' the Birth of Prog and More with Yes Guitarist Steve Howe

Bruce Springsteen: 'We Ain't Quitting. We Ain't Doing No Farewell Tour Bullshit!'

Blackberry Smoke Pay Tribute to Late Drummer Brit Turner With Emotional Homecoming Concert

Chappell Roan Sets Boundary Between Public and Private Personas in Forceful Statement

Foo Fighters Say Trump Didn't Have Permission to Use 'My Hero' at Arizona Rally

Most Popular

A beginner’s guide to yacht rock in five essential albums

Loggins & Messina - Full Sail (1973)

Boz Scaggs - Silk Degrees (1976)

Classic Rock Newsletter

Steely Dan - Aja (1977)

The Doobie Brothers – Minute By Minute (1978)

Christopher Cross - Christopher Cross (1979)

Most Popular

Top 50 Yacht Rock Songs

Top 100 Classic Rock Artists

More From Ultimate Classic Rock

Sailing: 10 Essential Yacht Rock Albums to Own as Vinyl Records

Christopher Cross (1979) — Christopher Cross

Takin' It to the Streets (1976) —The Doobie Brothers

Breakin' Away (1981) — Al Jarreau

Welcome Home (1978) — Carole King

Can't Buy a Thrill (1972) — Steely Dan

Late for the Sky (1974) — Jackson Browne

No Secrets (1972) — Carly Simon

Outside From the Redwoods (1993) — Kenny Loggins

Songs You Know by Heart (1985) — Jimmy Buffett

Marathon (1979) — Santana

Add To Your Collection

Fleetwood Mac: Rumours

Taylor Swift: 1989 (Taylor's Version) [2 LP]

Fleetwood Mac: Greatest Hits

Bob Marley: Legend [Reissue]

Led Zeppelin: Led Zeppelin IV

The Eagles: Their Greatest Hits Volumes 1 & 2

Michael Jackson: Thriller

Johnny Cash: The Essential Johnny Cash

Taylor Swift: Speak Now (Taylor's Version)

Taylor Swift: The Tortured Poets Department [Ghosted White 2 LP]

Now Playing

The 20 greatest yacht rock songs ever, ranked

What is Yacht Rock?

Player - 'Baby Come Back'

Steely Dan - 'FM'

Bobby Goldsboro - 'Summer (The First Time)'

Kenny Loggins - 'Heart to Heart'

Airplay - 'Nothing You Can Do About It'

Boz Scaggs - 'Lowdown'

Steve Winwood - 'Valerie'

Toto - 'Rosanna'

Chicago - 'Hard to Say I'm Sorry'

Michael Jackson - 'Human Nature'

The Doobie Brothers - 'What a Fool Believes'

Christopher Cross - 'Sailing'

Don Henley - 'The Boys of Summer'

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

Seals & Crofts - 'Summer Breeze'

Christopher Cross - 'Ride Like the Wind'

Eagles - 'I Can't Tell You Why'

Gerry Rafferty - 'Baker Street'

Michael McDonald - 'Sweet Freedom'

Hall & Oates - 'I Can't Go for That (No Can Do)'

More Song Lists

Donna Summer’s 10 greatest songs, ranked