Recommended For You
Follow us online to find out when we launch., spotify gives you instant access to millions of songs – from old favorites to the latest hits. just hit play to stream anything you like..
Spotify works on your computer, mobile, tablet and TV.
No ads. No interruptions. Just music.
Keep playing, even when you don't have a connection.
Get ready for incredible sound quality.
Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands, and is the current subject of a short-run channel on Sirius XM.
Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.
Artist | Title | |
---|---|---|
1 | Steely Dan | Hey Nineteen |
2 | Herb Alpert | Route 101 |
3 | Robbie Dupree | Steal Away |
4 | Jan Hammer Group | Don't You Know |
5 | Blues Image | Ride Captain Ride |
6 | Toto/Cheryl Lynn | Georgy Porgy |
7 | Gerry Rafferty | Right Down The Line |
8 | Paul Young | Every Time You Go Away |
9 | Boz Scaggs | Jojo |
10 | Johnny Nash | I Can See Clearly Now |
11 | Daryl Hall/John Oates | Sara Smile |
12 | Orleans | Dance With Me |
13 | Olivia Newton John | Magic |
14 | Seals & Crofts | Summer Breeze |
15 | Lionel Richie | All Night Long |
16 | Fleetwood Mac | You Make Loving Fun |
17 | Steely Dan | Deacon Blues |
18 | Christopher Cross | Ride Like The Wind |
19 | Little River Band | Cool Change |
20 | Jackson Browne | Somebody's Baby |
21 | 10cc | Dreadlock Holiday |
22 | Dr. Hook | When You're In Love With A Beautiful Woman |
23 | Boz Scaggs | Lowdown |
24 | Player | This Time I'm In It For Love |
25 | Fleetwood Mac | Everywhere |
26 | Steely Dan | Peg |
27 | Todd Rundgren | I Saw The Light |
28 | Gerry Rafferty | Baker Street |
29 | Eagles | One Of These Nights |
30 | James Ingram | Yah-Mo Be There |
31 | 10cc | I'm Not In Love |
32 | Ambrosia | Biggest Part Of Me |
33 | Terri Gibbs | Somebody's Knockin' |
34 | Atlanta Rhythm Section | So In To You |
35 | Boz Scaggs | Lido Shuffle |
36 | Steve Miller Band | Wild Mountain Honey |
37 | Michael McDonald | I Gotta Try |
38 | Matthew Wilder | Break My Stride |
39 | England Dan & John Ford Coley | I'd Really Love To See You Tonight |
40 | Player | Baby Come Back |
41 | Kenny Loggins | This Is It |
42 | Michael McDonald | I Keep Forgettin' (Every Time You're Near) |
43 | Toto | Rosanna |
44 | Daryl Hall/John Oates | Kiss On My List |
45 | The Doobie Brothers | What A Fool Believes |
46 | Christopher Cross | Sailing |
47 | Loggins & Messina | Watching The River Run |
48 | Eagles | The Long Run |
49 | Looking Glass | Brandy (You're A Fine Girl) |
50 | Bread | Everything I Own |
51 | Steely Dan | Reelin' in the Years |
52 | Joe Jackson | Steppin' Out |
53 | Jackson Browne | Doctor My Eyes |
54 | Sanford & Townsend | Smoke from a Distant Fire |
55 | Bobby Caldwell | What You Won't Do For Love |
56 | Fleetwood Mac | Rhiannon |
57 | Ace | How Long |
58 | Daryl Hall/John Oates | Rich Girl |
59 | Toto | Africa |
60 | Steely Dan | Do It Again |
61 | Bertie Higgins | Key Largo |
62 | Rupert Holmes | Escape (The Pina Colada Song) |
63 | Little River Band | Reminiscing |
64 | Jimmy Buffett | Margaritaville |
65 | Fleetwood Mac | Dreams |
66 | Firefall | Just Remember I Love You |
67 | Eagles | I Can't Tell You Why |
68 | Eagles | The Best Of My Love |
69 | Eagles | Take It To The Limit |
70 | Eagles | Tequila Sunrise |
71 | Chicago | Saturday In The Park |
72 | Bob Welch | Sentimental Lady |
73 | America | Sister Golden Hair |
74 | America | A Horse With No Name |
75 | Ambrosia | How Much I Feel |
76 | Alan Parsons | Eye In The Sky |
77 | Air Supply | Lost In Love |
78 | Steely Dan | Dirty Work |
79 | Steely Dan | Only A Fool Would Say That |
80 | Orleans | Still The One |
81 | Stephen Bishop | Sinking In An Ocean Of Tears |
82 | 10cc | The Things We Do For Love |
83 | America | Ventura Highway |
84 | Al Stewart | Year Of The Cat |
85 | Bread | Baby I'm A Want You |
86 | Firefall | You Are The Woman |
87 | George Benson | Gimme The Night |
88 | Barbara Streisand/Barry Gibb | Guilty |
89 | Christopher Cross | Arthur's Theme |
90 | Marty Balin | Hearts |
91 | Poco | Barbados |
92 | Daryl Hall/John Oates | I Can't Go For That (No Can Do) |
93 | Al Stewart | Time Passages |
94 | Jay Ferguson | Thunder Island |
95 | Dr. Hook | Sexy Eyes |
96 | Donald Fagen | I.G.Y. |
97 | Michael McDonald | Gotta Try |
98 | Bread | Make It With You |
99 | Pablo Cruise | Whatcha Gonna Do |
100 | Doobie Brothers | Dependin' On You |
101 | Ozark Mountain Daredevils | Jackie Blue |
102 | Pablo Cruise | Love Will Find A Way |
103 | Starbuck | Moonlight Feels Right |
104 | Billy Ocean | Caribbean Queen |
105 | Linda Ronstadt | Ooh Baby Baby |
106 | Hues Corporation | Rock The Boat |
107 | Loggins & Messina | Danny's Song |
108 | Rupert Holmes | Answering Machine |
109 | Stephen Bishop | On And On |
110 | Bread | The Guitar Man |
111 | Seals & Crofts | Diamond Girl |
112 | Air Supply | Even The Nights Are Better |
113 | Ambrosia | You're The Only Woman |
114 | George Benson | Breezin' |
115 | Daryl Hall/John Oates | She's Gone |
116 | Dave Loggins | Please Come To Boston |
117 | Rickie Lee Jones | Chuck E.'s In Love |
118 | Captain/Tennille | Love Will Keep Us Together |
119 | Dr. Hook | Better Love Next Time |
120 | Chilliwack | I Believe |
121 | Crosby, Stills & Nash | Southern Cross |
122 | Climax Blues Band | Couldn't Get It Right |
123 | Gilbert O'Sullivan | Alone Again (Naturally) |
124 | America | Daisy Jane |
125 | Beach Boys | Sail On, Sailor |
Please join our FREE Newsletter
Related articles more from author, the story so far to kick off fall tour in nashville, nashville songwriters hall of fame announces newest members, disney on ice to bring magic to bridgestone arena: special labor day ticket offer, close to home news, top 5 stories from august 27, 2024, tips to stay safe during heat wave, missing: latyryn keshaun patterson-dalton of gallatin, veterinary innovative partners establishes headquarters in franklin, appoints new chief medical..., close to home events, disney on ice to bring magic to bridgestone arena: special labor..., pilgrimage festival celebrates 10 years of growth of the americana triangle..., tickets on sale for 2024 williamson county marching band exhibition, ryman auditorium announces fall dates for sidewalk sessions, uk band the chameleons to bring tour to nashville, see photos from reagan movie premiere in franklin, country music hall of fame adds over 20,000 items from marty..., franklin fire station 2 to host open house, 9/11 remembrance on..., 6 live shows this week- august 26, 2024.
By David Browne
Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.
Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.
The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.
The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”) and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.
Every awful thing trump has promised to do in a second term, the 250 greatest guitarists of all time, the 500 greatest albums of all time, 25 most influential creators of 2024.
Seals & crofts, get closer (1976).
The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.
Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.
The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.
The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.
Michael mcdonald, if that’s what it takes (1982).
Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.
Yacht rock babylon, it's really happening: oasis will reunite for a world tour in 2025.
Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.
Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .
As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.
More smooth hits for your next high-seas adventure.
“BREEZIN’”
George Benson, 1976
The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.
“WHATCHA GONNA DO?”
Pablo Cruise, 1976
Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.
“BAKER STREET”
Gerry Rafferty, 1978
Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.
“REMINISCING”
Little River Band, 1978
The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.
“WHENEVER I CALL YOU ‘FRIEND’ ”
Kenny Loggins and Stevie Nicks, 1978
After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”
“LOTTA LOVE”
Nicolette Larson, 1978
Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.
“STEAL AWAY”
Robbie Dupree, 1980
Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.
“TAKE IT EASY”
Archie James Cavanaugh, 1980
Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.
“BIGGEST PART OF ME”
Ambrosia, 1980
Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”
“I CAN’T GO FOR THAT (NO CAN DO)”
Daryl Hall and John Oates, 1981
The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.
“COOL NIGHT”
Paul Davis, 1981
The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.
“KEY LARGO”
Bertie Higgins, 1981
Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).
“AFRICA”
The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.
“SOUTHERN CROSS”
Crosby, Stills, and Nash, 1982
The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.
Channing tatum says gambit accent was supposed to be 'unintelligible' at times and he was 'too scared to ask' marvel for the costume to bring home, cheryl hines' enthusiasm for donald trump could not be more curbed, all about rfk jr.'s daughter kick kennedy amid rumors she's dating ben affleck, mariah carey's mother and sister die the same day, singer confirms: "my heart is broken", you might also like, swifties for kamala rally raises over $100,000 in donations with carole king rapping ‘shake it off’ and elizabeth warren praising ‘karma’, nordstrom’s q2 top-line gains lift stock price, forecast raised slightly, the best yoga mats for any practice, according to instructors, 20 movies that could sell big at this year’s fall festivals, wells fargo hires sports banking exec peter dorfman from truist.
Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.
Call Us (561) 445-5664
Published April 28, 2023
Yacht rock is a subgenre of soft rock. It became prevalent in the late 1970s and early 1980s, and while it’s no longer as popular now, it still continues to be loved by fans today.
It’s best known for the jazzy arrangements, sophisticated harmonies, and lyrics that would often encapsulate the laid-back lifestyle of yacht owners. Needless to say, yacht rock targets a specific niche, and even those outside of that niche can enjoy the songs the genre offers.
If that sounds like you, then you’re in luck. In this post, we’ve compiled a list of the best yacht rock songs of all time, from deep cuts to classics that came out from 1972 to 1990.
While yacht rock is often associated with the late 1970s and early 1980s, there have been some recent songs that were able to capture the yacht rock vibe or sound. They’re now quite popular among fans of this genre. Here’s a yacht rock songs list of these songs:
Yacht rock has proven to be a timeless genre that has, for decades, captured the hearts of not only yacht enjoyers and owners, but also music lovers in general. Whether you’re a newcomer to yacht rock or a long-time enthusiast of the genre, the top yacht rock songs in this list will offer a glimpse into the melodic, smooth sound that defines the yacht genre.
Looking for a great time on the water in Boca Raton Florida? Seafari Yacht Charters is number choice for yacht rentals in Boca Raton . Book our yachts for parties , exciting day trips to the Bahamas, romantic yacht dinner cruises , and much more. Come experience all South Florida has to offer with us.
Our team of internal experts has conducted rigorous fact-checking on this content. Explore the editorial standard for our website to dive deeper into our commitment to excellence.
Lenard Arceo is passionate about the outdoors and South Florida life. He is a professional blogger for several renowned publications and also loves learning how to code in his free time.
Most Popular , Yachting
Find us on social media.
© SeafariYachtCharters.com 2024
View Our Privacy Policy
Website design by Correct Digital
Yacht rock songs top 100, yacht rock songs.
Check out the ultimate authority on smooth songs that really rock. Here’s the foremost Top 100 yacht rock songs of all time. In fact, here’s the real deal. More importantly, for you aficionados, these are the songs you’ve been looking for. Finally, we are posting the hilarious list that really helped turn us on to the best in the YR genre. Unbelievably, the commentary on these songs and the pure genius of which songs made the list energized our thirst for the genre. In fact, literally every song we play made the list and certainly some go to the level of yacht-adjacent but we highly recommend perusing this article. Speaking of articles, check out our Florida adventure here.
To top it off, this list provides some videos and the classic moments that go with the song. The comedy is real and the power of those songs is tangible. You won’t find another list of yacht rock songs like out there. The author certainly crafted it with care and accuracy and we really appreciate weaving the music and life together. Honestly, you can’t read through the list without complete amusement, excitement and laughter. It feels so good to walk through these smooth cuts and see the music’s influence on our culture and what interesting stories are told. It’s meaningful. These songs reverberate with the joy that we as a band play these classic vinyl cuts.
Furthermore, click on this link to find a website that rates the top 100 yacht rock songs of all time. In addition, the commentary is brilliant! Lastly, consider it Anchors AWEIGH and you can thank us later!!!!! In fact, I’m sure many of these amazing tunes will make your new yachty playlist. Interestingly, we discovered this article back in 2014 and clung to the magic of these tunes that make smooth music really tick. Once you begin reading the list, it’ll be hard to put it down. These guys are dead on and the comedy and facts and background make it priceless.
Do yourself a favor and sit down for a deep dive into the genre. Certainly, check out 70’s soft rock and 80’s soft rock as much as they are covered in the list as well. Inasmuch, even if you start at number 100, you’ll surely make it to 50 and 30 and more. Ultimately, you can click the big link or The Hello Loser website to get to numbers 21 through 30 on the TOP 100 SONG LIST.
Your playlist will seriously benefit from this read. In fact, we haven’t seen a comprehensive look at yacht rock songs like this! And now to get back to our Electronic Press Kit, click on the EPK/MEDIA tab on the website.
In fact, yacht rock has a distinct criteria that makes it float. In fact, they have a website you can check for the ultimate authority on what’s Yacht or Nyacht. Thus, it is aptly titled, YachtorNyacht.com. More importantly, there are elements that guide the selection of what makes the cut. The originators JD Ryznar, Hollywood Steve, Hunter Stair, and Dave Lyons generally say it’s polished jazzy, R&B music from 1976 to 1984. But let’s dive into the elements that the fellas use to vote on whether a song makes their list of authentic smooth songs.
Additionally, it’s that well produced complicated chord arrangement played by mainly the best session musicians of the time. Moreover, the songs contain crafty and intricate chord changes buoyed by lush harmonies and plenty of electric piano and saxophone. The yacht behind the rock derives from the ubiquitous nautical references in the lyrics and even the album covers. For example, Loggins and Messina at the helm of a sailboat for the album Full Sail. Or, simply the flamingo on the cover of Christopher Cross’ self titled album.
Now, in recent times, we’ve made much about the fact that as a live band, the music still has to groove. In fact, yacht rock songs can be quite mellow so the band does have to keep it poppin for our audiences. Ultimately, Yachty by Nature has found a great balance of those upbeat and mellow songs to keep the party rockin’. Of course, we’ve been so fortunate as a band to have so much with these songs and the great venues and crowds we play to! For your listening pleasure, we always recommend finding a great playlist on Spotify or some Yacht Rock Radio on Sirius/XM. Additionally, our friend Eddie Ganz at YR Radio brings the smooth like none other.
Yachty by Nature is always adding new tunes. In fact, it’s tough to pick the right song to put in the set, but we’re always experimenting. Additionally, we rely on our crowd to guide the choices and we LOVE to hear those thoughts. As you can see, we have a lot of music to cover and every shade of the rainbow within the genre of smooth music. Like captains going from port to port, we dabble into all kinds of waters.
Yachty songs occupy these certain elements but it certainly isn’t so linear. First, from soft rock to folk rock, the yacht genre encompasses some of those mellower hits. For example, the song Brandy is accepted by our followers but rejected by the Yacht Rock youtube series guys. But it represents something with yachty references and somewhere in the softer and folksy earlier 70’s. The line is drawn tight that Bread is too soft and Summer Breeze by Seals and Croft may be too early as well. But those songs are certainly adjacent and close to the heart of what we like to do. In fact, some of those artists emerge on the yacht like Jackson Browne, Carly Simon, and Rupert Holmes.
Now, there’s what we call Yacht Funk or R&B where we dip into some George Benson, Michael Jackson, Lionel Richie and even perform Warren G’s Regulate. The Yacht Prog can be seen in Toto, Ambrosia, Alan Parsons and even narrowly Crosby, Stills, and Nash. In fact, Yacht Country makes a splash from time to time. Certainly Islands in the Stream and the crossover country album of Lionel Richie gives you an idea of where it’s at. Jazz makes an appearance or two with George Benson’s Breezin’ and Smooth Operator by Sade which is one saxy mutha.
As you can see, there’s too much to say. One angle begets another and there’s simply a lot to cover. Perhaps we can dive into each of these levels of smooth rock sometime. But for now, check out the Top 100 website, listen to more tunes, and even check out new smooth! And, if you want to focus on the Top 8 yachty songs that Yachty by Nature plays, check out this article Captain Carl published. Until then, Keep it Yachty!
#songlist #yachtrock #top100 #softrock #yachtrocksongs #yachtrockband #yachtybynature #
You can write your comments about this post through the form below
Captain Carl (949) 510-3264 [email protected]
70s + 80s Soft Rock for a day on the boat. Island tunes, chill summer hits + nothing but smooth sailing while jamming to hits from TOTO, Looking Glass, Billy Joel, Hall & Oates + more.
101 Songs, 6 hours, 52 minutes
Featured artists, looking glass, earth, wind & fire, kenny loggins, christopher cross, the doobie brothers, daryl hall & john oates, rupert holmes, seals & crofts, bobby caldwell, africa, middle east, and india.
July is here and it’s prime season for Yacht Rock Songs. Time to sit back on your yacht, or ummm dingy, and listen to the smooth sounds from the mid-70s to the mid-80s, with temp hopefully right there as well. The seagulls cry the white caps slap against the fiberglass hull, and you hold your glass of buttery chard oh so gently while inspecting those bikinis. It’s a tough job, but somebody’s yachtta do it!
According to AllMusic , Yacht Rock is a broad music style and aesthetic commonly associated with Soft Rock, one of the most commercially successful genres from the mid-1970s to the mid-1980s. Drawing on sources such as Smooth Soul, Smooth Jazz, R&B, and Disco. Meanwhile, common stylistic traits include high-quality production, clean vocals, and a focus on light, catchy melodies. [6] The term yacht rock was coined in 2005 by the makers of the online video series Yacht Rock , who connected the music with the popular SoCal leisure activity of boating. It was considered a pejorative term by some music critics.
Furthermore, In 2014, AllMusic ‘s Matt Colier identified the “ key defining rules of the genre :”
View this post on Instagram A post shared by Yacht Rock Memes (@yacht_rock_memes)
This is 100 percent my own opinion. Top Ten does not leave a lot of room for error. I consider myself a pretty solid Yacht Rocker, and quite the musicologist. However, in the rare case you feel I make a mistake and leave off one of your Yacht Rock favs, have my people call your people and we’ll get together off the coast of Island Beach State Park for some Sangria and Cheese, and a little Yacht Rock, of course!
By The By, Lovey, if you’re looking for the perfect Yacht Rock swag to rock this summer, check this article out!
Plus if you need a place to dry dock and yacht rock, here’s a spot that Yachts every Sunday all summer long!
The late great former front man of Stealers Wheel, had later solo success with this and a few other songs. However, there is no way Gerry could have known his Saxophone anthem balancing life and love while living in London, would go on to become the Stairway To Heaven of Yacht Rock.
https://www.youtube.com/watch?v=dU6w56epBdc
If Baker Street is the Stairway of Yacht Rock, this most certainly is the Layla. A 1979 masterpiece about a boy and his sailboat that Cross has said was inspired by sailing with his older friend. Ridiculed throughout the 80s as a symbol of 70’s schmaltz, it has found life and love as a Yacht Rock staple for a whole new generation.
The oldest of our Top 10, this song was released in the late summer of 1972, and immediately became a top 10 hit on the Billboard charts. It screams Summer, and beachy vibes, and of course the smell of Jasmine and the line “July is dressed up and playing her tune” cannot be denied as all time Yacht Rock.
The song most people who know nothing about Yacht Rock, most closely associate Yacht Rock with. Now that’s fine, and yes it is an all time great Yachtty classic, but think of it as your gateway drug to so much more: Next you’ll be wearing a captains hat and a Hawaiian shirt.
The New England Patriots of Yacht Rock songs right here my friends. Too much of a good thing can be dangerous. Great band, great song, but it’s flown way too far over the radar for way too long. Still, It’s gonna take a lot to drag me away from singing along.
A few years before they were blessing the rains down in Africa, the boys from Toto were much sought after studio musicians. They helped good ol Boz on this 1977 super hit, that has gone on to become the go to song for doing Green Tea shots on the deck before the Saturday Night fireworks kick in. And I quote: “Whoa Whoa Whoaoooo ooooo oooooo”
Old George really came through for the soft rock/jazz world with this 1976 classic. Plus it’s the perfect Yacht Rock song for some early morning Mimosas and below deck nookie.
Kind of a toss up here between FM and Do It Again, but this has more of a party feel so I’m going with the kicking off of the high heel sneakers, and the grapefruit wine. Hey don’t knock it til ya try it on the bow at sunset, baby!
You can have heartache, just as long as it has a good groove and doesn’t bring the party down. Just ask Hall and Oates, they do it here to a tee. Talk to Isaac about your problems buddy, or whatever your yacht’s bartender is named.
What can I say. The man is the muse of a genre. With apologies to great Yacht Rock songs like Brandy, What A Fool Believes, Couldn’t Get It Right, and just about the entire catalog from Pablo Cruise, Ride Like The Wind is just captivating when you listen to it out on the bay doing 12 knots. Plus, at least we get our daily dose of Michael McDonald in!
Be the first to know about our awesome ticket giveaways, the latest updates with your favorite artists, and more..
Yacht Rock isn’t exactly a genre. It’s more a state of mind. It is the musical equivalent of a mid-afternoon mimosa nap in some nautical location—a cool breeze of lite-FM confection with the substance of a romance novel and the machismo of a Burt Reynolds mustache comb.
Yacht Rock is ‘70s soft schlock about boats, love affairs, and one-night stands.
Typified by artists like Christopher Cross, Rupert Holmes, and Pablo Cruise, Yacht Rock is not only easy to mock, but it’s also deserving of the abuse. There’s a sensitive 70s male brand of chauvinism that permeates this material—like somehow because you could schnarf an 8-ball of cocaine and sail a boat into the sunset, your indulgences and marital infidelity were actually kind of sexy. Cheap pickup lines and beardly come-ons abound.
And yet, this stuff is irresistible on a slow summer day. It reeks of sunshine and laziness, and couldn’t we all use a little of both?
These are the 25 Best Yacht Rock Songs, in order. Zero suspense. (Sorry if that’s less fun for you).
If you would like to learn more about Yacht Rock without getting a sailing license, read on…
So Yacht Rock refers to a type of soft rock, right? But there’s a ton of soft rock out there that doesn’t fit the bill. There’s no room on my boat for Barry Manilow. At the Copa? Sure. But not so much on my boat. So what makes a great yacht rock song exactly?
Ideally, one or more of these themes will be present:
These features pretty much capture everything that’s great about this milieu. But there’s also an important cheese factor at play here. While Steely Dan, Hall & Oates, CSN, and the Doobie Brothers all made songs that might qualify for inclusion here, the artists themselves are–let’s just say it–too good to be considered Yacht Rock.
We’ll make sure to include them in our deluxe playlist at the article’s conclusion.
But in order for a song to be considered for our list, it must be at least slightly embarrassing. Case in point, the top song on our list…
“The Pina Colada Song” is arguably the most perfect embodiment of yacht rock, fulfilling, as it does, all three of the qualifications cited above. Holmes sings about making love in the dunes, attempts to cheat on his wife, then ultimately, rediscovers that his “old lady” is actually the love he’s been searching for all along. That’s the holy trinity of Yacht Rock themes, all wrapped up in a breezy story of casual adultery. And at the turn of a new decade, listeners were feeling it. Released as a single in 1979, “Escape” stood at the top of the charts during the last week of the year. Falling to #2 in the new year, it returned to the top spot in the second week of 1980. This made it the first song to top the charts in two separate, consecutive decades. Fun fact: Rupert Holmes never drank a Pina Colada in his life. He just thought the lyric sounded right. Hard to argue that point.
Formed at Rutgers University in 1969, Looking Glass topped the charts in 1972 with the tale of a lovelorn barmaid in a harbor town haunted by lonely sailors. It would be the band’s only hit. Lead singer Elliot Lurie would go on to a brief solo career before becoming head of the music department for the 20th Century Fox movie studio in the ’80s and ’90s. That means he was the musical supervisor for the soundtrack to Night at the Roxbury . Do with that information what you will. And with respect to “Brandy,” see the film Guardians of the Galaxy 2 for Kurt Russell’s surprisingly detailed treatise on its lyrical genius.
The title track from the soft-rock duo’s breakout 1972 record, “Summer Breeze” is an incurable earworm, a bittersweet twilight dream that captures everything that’s right about Lite FM. From an album inhabited by Wrecking Crew vets and studio aces, “Summer Breeze” curls like smoke drifting lazily through an open window.
Toto singer David Paich had never been to Africa. The melody and refrain for this #1 hit from 1982 came to him fully formed as he watched a late night documentary about the plight of those living on the African continent. The lyrics touch on missionary work and describe the landscape as inspired by images from National Geographic , according to Paich’s own recollection. Putting aside its self-aware inauthenticity, “Africa” is an infectious, 8x platinum AOR monster.
Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, “Reminiscing” was guitarist Graeham Goble ‘s nostalgic take on the swing band era. Not only is it the only Australian song ever to reach five million radio plays in the U.S., but rumor is that it was among the late John Lennon’s favorite songs.
Recorded originally by a country-swamp rocker named Jeffrey Kurtz, Dobie’s 1973 cover became his biggest hit, reaching #5 on the charts. Though not explicitly nautical, “Drift Away” captures the distinct sensation of cruising at sunset.
Pablo Cruise may have the most “yachty” of all band names on our list. And “Love Will Find a Way” is sort of the musical equivalent of a ketch skipping along a glassy surface on a crisp summer dawn. Pablo Cruise was formed in San Francisco by expats from various mildly successful bands including Stoneground and It’s a Beautiful Day. And there is a certain slick professionalism to the proceedings here. Of course, Pablo Cruise was never a critic’s darling. Homer Simpson once accurately classified them as wuss rock. Still, they perfectly captured the white-folks-vacationing-in-the-Caribbean energy that was all the rage at the time. Love found a way to reach #6 on the Billboard charts, remaining in constant radio rotation during the red-hot summer of ’78.
Blues Image emerged from South Florida in the late ’60s and served as the house band for Miami’s vaunted Thee Image music venue upon its inception in 1968. This gave Blues Image the opportunity to open for ascendant headliners like Cream and the Grateful Dead. The association landed them a contract Atco Records. Their sophomore record Open yielded their one and only hit, a #4 in 1970 about a bunch of men who disappear into the mists of the San Francisco Bay in search of a hippie utopia.
This #3 hit from 1982 has nothing to do with sailing. But it’s infectiously smooth production sheen, layered synth, and dreamy vocals make it a perfect Lite FM gem–one cut from the stone that gave us yacht rock. The “Project” was actually a British duo–studio wizard Alan Parsons and singer Eric Woolfson. The title track from their sixth studio album is also their very best recording. It’s also often paired with the instrumental lead-in “Sirius,” a song famous in its own right for blaring over unnumbered sporting arena PA systems. If that tune doesn’t make you think of Michael Jordan, you probably didn’t live through the late 80s.
Marty Balin was a pioneer of the San Francisco scene, founding Jefferson Airplane in 1965 as the house band for his own legendary club–The Matrix. But in 1971, deeply shaken by the death of Janis Joplin, Balin quit his own band. Four years later, he was invited to rejoin his old mates on the already-launched Starship. He immediately contributed what would become the biggest hit by any Jeffersonian vessel. “Miracles” reached #3 in 1975. Gorgeous, elegant, and open, this is a complete anomaly in the Airplane-Starship catalogue. Listen closely for the NSFW lyrics that have often flown under the radar of some adorably innocent censors.
In 1972, Robert John had a #3 hit with his cover of “The Lion Sleeps Tonight.” And yet, just before recording “Sad Eyes”, the Brooklyn-born singer was employed as a construction worker in Long Branch, New Jersey. By the summer of ’79, he would have a #1 hit. In fact, the charting success of “Sad Eyes” was part of a cultural backlash against the reign of disco. A wave of pop hits swept on to the charts, including this slick soft rock throwback. With his sweet falsetto and doo wop sensibility, Robert John knocked The Knack’s “My Sharona” from its 6-week stand atop the charts.
Before launching headlong into his music career, Walter Egan was one of the very first students to earn a fine arts degree from Georgetown, where he studied sculpture. The subject would figure into his biggest hit, a #8 easy listening smash from 1978. Featured on his second solo record, “Magnet and Steel” enjoys the presence of some heavy friends. Lindsey Buckingham produced, played guitar and sang backup harmonies with Stevie Nicks. By most accounts, Nicks was also a primary source of inspiration for the song.
Of course, not all yacht rock songs are about sailing on boats. Some are about missing boats. Boz Scaggs looks dejected on the cover of 1977’s Silk Degrees , but things turned out pretty well for him. This bouncy #11 hit is a classic rock mainstay today. The band you hear backing Boz–David Paich, Jeff Porcaro, and David Hungate–would go on to form the nucleus of Toto that very same year. Toto, as it happens, is essentially a recurring theme of the genre. Before rising to massive success in their own right, the members of Toto absolutely permeated rock radio in the 70s, laying down studio tracks with Steely Dan, Seals and Crofts, Michael McDonald, and more.
This smooth-as-silk tune reached #9 on the Billboard Hot 100 upon its 1978 release. It also reached #6 on the Hot Selling Soul Singles Chart. This is significant only because of Caldwell’s complexion. He was a white man signed to TK Records, a label most closely associated with disco acts like KC and the Sunshine Band. Catering to a largely Black audience, the label went to minor lengths to hide their new singer’s identity–dig the silhouetted figure on the cover of his own debut. Suffice it to say, once Caldwell hit the road, audiences discovered he was white. By then, they were already hooked on this perfect groove, which you might also recognize as a sample in 2Pac’s posthumous 1998 release, “Do For Love.”
Technically, Michael McDonald’s “I Keep Forgettin’” is an adaptation of an earlier tune by the same name. In fact, the original “I Keep Forgettin” was conceived by the legendary songwriting duo Leiber and Stoller–best known for iconic staples like “Hound Dog”, “Kansas City”, “Poison Ivy” and much much more. The original recording is by Chuck Jackson and dates to 1962. But McDonald’s 1982 take is definitive. If that wasn’t already true upon its release and #4 peak position on the charts, certainly Warren G. and Nate Dogg cemented its status when they sampled McDonald on “Regulate”. Get the whole history on that brilliant 1994 time capsule here .
Oh and by the way, this tune also features most of the guys from Toto. I know, right? These dudes were everywhere.
To the casual listener, Gerry Rafferty’s name may sound vaguely familiar. Indeed, you may remember hearing it uttered in passing in the film Reservoir Dogs . In a key scene, the DJ (deadpan comedian Steven Wright) mentions that Rafferty formed half the duo known as Stealers Wheel, which recorded a “Dylanesque, pop, bubble-gum favorite from April of 1974” called “Stuck in the Middle With You.” In the same scene, Mr. Blonde (portrayed with sadistic glee by Michael Madsen), slices off a policeman’s ear. At any rate, this is a totally different song, and is actually Rafferty’s biggest hit. “Baker Street” is a tune that reeks of late nights, cocaine, and regret. Peaking at #2 on the Billboard Hot 100, “Baker Street” soared on wings of the decade’s most memorable sax riff. Raphael Ravenscroft’s performance would, in fact, lead to a mainstream revitalization of interest in the saxophone writ large.
There are several interesting things about Silver that have almost nothing to do with this song. First, bass guitarist and singer Tom Leadon was both the brother of Bernie Leadon from the Eagles and a member of Tom Petty’s pre-fame band, Mudcrutch. Second, the band’s keyboardist was Brent Mydland, who would go on to become the Grateful Dead’s longest tenured piano guy. Third, Silver put out their only record in 1976, and future Saturday Night Live standout Phil Harman designed the cover art. With all of that said, Arista executives felt that their first album lacked a single so they had country songwriter Rick Giles cook up this ridiculous, gooey concoction that I kind of love. Let’s say this one falls into the “so bad it’s good” category. Anyway, the song peaked at #16 on the charts. The band broke up in ’78, leading Mydland to accept the deadliest job in rock music. He defied the odds by playing with the Grateful Dead until an accidental drug overdose claimed his life in 1990.
I admit, I’m kind of hard-pressed to make Ambrosia interesting. In fact, they were extremely prolific, and earned high regard in early ’70s prog rock circles. And in the 1990s, lead singer David Pack would actually be the musical director for both of Bill Clinton’s presidential inauguration concerts. But this Southern California combo is much better known to mainstream audiences for their top-down, hair-blowing-in-the-wind soft rock from the decade in between. Peaking at #3 on the Billboard Hot 100 in 1980, “Biggest Part of Me” is the group’s best-known tune–a seafoamy bit of blue-eyed soul served over a raw bar of smooth jazz and lite funk.
Player released their self-titled debut album in 1977 and immediately shot up to #1 with “Baby Come Back.” Bandmates Peter Beckett and J.C. Crowley had both recently broken up with their girlfriends. They channeled their shared angst into this composition, a self-sorry guilty pleasure featuring former Steppenwolf member Wayne Cook on keys. Granted, Steppenwolf’s edgy disposition is nowhere to be found on this record, but it is pretty infectious in a late-summer-night, slightly-buzzed, clenched-fist sort of way. Player endured various lineup changes, but never returned to the heights of their first hit.
Remember that scene in National Lampoon’s Animal House (1978) where there’s this dude in a turtleneck singing a super cloying folks song before John Belushi mercifully snatches away his guitar and smashes it to smithereens? That guy was Stephen Bishop, who was actually in the middle of enjoying considerable success with his 1976 debut album, Careless . “On and On” was the album’s biggest hit, a vaguely Caribbean soft-rocker that reached #11 on the Billboard Hot 100 in ’77. The gentle electric riffs you hear there are supplied by guitarist Andrew Gold–who wrote the theme song for the Golden Girls . (I freakin’ know you’re singing it right now).
The classic tale of boy-meets-girls, bangs-her-in-his-van, and brags-to-his-buds, all with backing from the world famous Wrecking Crew studio team. In 1975, a lot of people super related to it. It sold over a million copies and reach #5 on the Billboard Hot 100. I can’t tell you this song is good. But I also can’t tell you I don’t like it.
Firefall’s lead guitarist Jock Bartley perfectly captures this song’s impact, calling the band’s biggest hit “a singing version of [a] Hallmark card.” That feels right. The second single from Firefall’s 1976 self-titled debut was only a regional hit at first. But it was driven all the way to #9 on the Billboard Hot 100 on the strength of radio requests. As Bartley explained, “Every female between the ages of 18 and 24 wanted to be the woman portrayed in the song, and that caused their boyfriends and spouses to call radio stations and subsequently flood the airwaves with dedications of the song and the sentiment.”
Arguably, “Sailing” is the single most emblematic song of the Yacht Rock genre. Its thematic relevance requires no explanation. But it’s worth noting that the song is inspired by true events. During a tough time in his youth, Cross was befriended by Al Glasscock. Serving as something of an older brother to Cross, Glasscock would take him sailing. He recalls in his biggest hit that this was a time of escape from the harsh realities of his real life. In 1979, Cross released his self-titled debut. In early 1980, “Sailing” became a #1 hit, landing Cross a hat-trick of Grammys–including recognition as best new artist. Though Cross and Glasscock would lose touch for more than 20 years, they were reunited during a 1995 episode of The Howard Stern Show . Cross subsequently mailed a copy of his platinum record to Glasscock.
Apparently, this song was perceived as so blatant a ripoff of Michael McDonald and Kenny Loggins’ “What a Fool Believes” that legal action was actually threatened. It never formulated. Instead, Robbie Dupree landed a #6 Billboard Hot 100 hit with the lead single from his self-titled 1980 debut. Critics hated it, but it was a dominant presence in the summer of 1980. It even earned Dupree a Grammy nomination for best new artist. He ultimately lost to the man just above–Christopher Cross.
You didn’t think we’d get through this whole list without an actual Kenny Loggins tune. This song has the perfect pedigree, teaming Loggins and Michael McDonald on a 1979 composition that became the lead single off of Kenny Loggins’ Keep the Fire. Coming on the tail end of the ’70s, “This is It” felt positively omnipresent in the ’80s. I may be biased here. I grew up in Philadelphia, where a local television show by the same name adopted “This is It” as its theme song. But then, it did also reach #11 on the Billboard Hot 100.
And in that spirit…this is it, the end of our list.
But as usual, here’s a bonus playlist–an expanded voyage through the breezy, AOR waters of the mid-’70s to early ’80s.
Yacht Rock has made a big splash in the music world.
Here in Asbury Park, fans set sail quite a few years ago for Yacht Rock. Five years ago, to be exact, when DJ Atom Worth started hosting his multimedia Yacht Rock Night at the then-named Asbury Park Yacht Club.
It's now called Low Dive and DJ Atom Worth and Yacht Rock return Friday, Aug. 25.
Yacht Rock is the term, first used in a 2005 online music parody, for the Southern California soft rock of the late ‘70 and early ‘80s. Call it a grand repackaging with polyester shirts and bell bottom jeans. Dance, hang or watch the Yacht Rock videos at Low Dive on Friday.
It's a night of soft rock and hard partying.
Need a break? Play the USA TODAY Daily Crossword Puzzle.
“Seventies sleaziness (in dress) is encouraged,” said Worth previously to the USA Today Network NJ. “We usually get a few people who show up in captain’s hats.”
In honor of the event, we present the Top 6 Yacht Rock songs, as enjoyed by Asbury Park fans, with the help of Low Dive entertainment director Peter Mantas.
More: Nils Lofgren's connection to Asbury Park landmark featured on new album, 'Mountains'
More: Lauryn Hill 'Miseducation' anniversary tour to include Fugees reunion: Here's ticket info
The chimes, background synths and arpeggio guitar chords on “Sailing” does indeed make one feel that one is sailing. Or, perhaps, the feeling is more like floating. Cross was floating on air after the year's Grammy awards. The song won Record of the Year, Song of the Year, and Arrangement of the Year, while Cross picked up the Best New Artist award.
Loggin's gamboling free-spirit anthem has plenty of hooks, nooks and production tricks that will make you smile on the first listen or two. After that, frankly, it becomes annoying. The track is from the hit movie comedy “Caddyshack,” and it predates an even bigger movie-related '80s smash for Loggins, the similarly cloying “Footloose.”
One can argue that after a promising blue-eyed soul start (“Sara Smile”) in the '70s, Philly's Hall and Oates lost their artistic way in the '80s. Yet, they did find their way to the bank for plenty of withdrawals in the decade, thanks to pop-lite hits like “I Can't Go For That (No Can Do).” To be fair, it's not a terrible song, but the tempo needed to be slowed and the production needed to be reined in to make it a high-quality work.
The irony of “Baby Come Back” is that it sounds eerily like Hall and Oates' 1973 smash “She's Gone,” which is a great song. Yet, the Yacht Rock crew seems partial the sub-standard '80s Hall and Oates material, rather than their superior '70s sounds. Still, “Baby Come Back,” by the British and American group Player, was a No. 1 hit in 1977 and it’s a great song.
“Rio,” the 1982 MTV hit by Duran Duran, is not quite Yacht Rock, but the video was filmed on a boat in a tropical setting so it makes the list.
The classic story song tells of a couple who “had fallen into the same old dull routine” and both place personal ads in the newspaper — this was way before Tinder, folks. Imagine the surprise when they both show up at O'Malley's to find each other — again. Pina Colada on the house!
Go: DJ Atom Worth's Yacht Rock Night, 9:30 p.m. Friday, Aug. 25, Low Dive, 1000 Ocean Ave., Asbury Park. Free. www.lowdiveap.com.
Subscribe to app.com for the latest on the New Jersey music scene.
Chris Jordan, a Jersey Shore native, covers entertainment and features for the USA Today Network New Jersey. Contact him at @chrisfhjordan; [email protected]
Don’t look back in anger, eh?
Fifteen years after Liam and Noel Gallagher called it quits, leading to one of music’s messiest breakups, Oasis has begun hinting at a return of sorts . As both brothers and the official band account posted the same graphic on X teasing an announcement on Aug. 27, rumors and reports circulated that the band was eyeing performances in 2025, including a slew of dates at London’s Wembley Stadium.
If the brothers do indeed come together, putting aside decades’ worth of feuding, it would result in one of the most highly anticipated music reunions of all time — something even die-hard Oasis fans never thought could happen after the band split in 2009, just a month after selling out multiple dates at Manchester’s 70,000-capacity Heaton Park.
As fans of the British rock band wait on pins and needles, Variety staffers narrowed down Oasis’ 10 best songs, including stadium singalongs, deep cuts and an inescapable acoustic anthem (you know the one).
“She’s Electric,” a deep cut from “(What’s the Story) Morning Glory?” encompasses everything that Oasis nuts love about them. It’s unabashedly Beatles-y, down to the nod to “Because” in the closing notes. It’s a sturdy, bar band-friendly rocker, bashed out on jangly guitars that could’ve been strummed in a different era by Don and Phil Everly. It’s all tied together with unabashedly silly wordsmithing a la: “She’s electric / She’s in a family full of eccentrics” and “She’s got a sister / And on the palm of her hand is a blister.” It’s not profound, but it’s a sing-along, snap-along fan favorite. — C.L.
The band’s fourth record, 2000’s “Standing on the Shoulder of Giants,” is a psychedelia-tinged affair that flirts with the bloat that comes with being the biggest band on the planet. But the album’s first single, “Go Let It Out,” is an all-timer, mashing together a stadium-ready chorus and guitars with ornate instrumentation that adds sonic depth. The sly star of the show is Noel’s creeping Mellotron, in conversation with Liam’s staggering snarl. Although the Gallaghers are prone to self-aggrandizement, Noel was spot-on when he referred to the song as “the closest we came to sounding like a modern-day Beatles.” — W.E.
A gorgeous, reflective piece from their 1997 record “Be Here Now,” Liam reaches peak vulnerability with this aching song about wanting more time with a sick parent. Noel’s simple lyrics sting with the certain effects of time, letting go of any cleverness for earnest meditations on the flights that take us to painful places. “Damn my education, I can’t find the words to say / With all the things caught in my mind,” Liam moans, with mournful horns and a string section building his grief into a universal cacophony by the end. — W.E.
A scorching blues-rock anthem about getting after it, “Cigarettes & Alcohol” is an ode to passing the time by ripping darts and drinking booze. But underneath its working-class disenchantment (“Is it worth the aggravation / To find yourself a job when there’s nothing worth working for?”) is a yearning for greatness. “You gotta make it happen,” Liam repeats on the chorus, referring to any number of youthful endeavors — “looking for some action,” ditching a 9-to-5 to become a rock ‘n’ roll star, getting the hell out of Manchester and into the “sunshee-iiine.” On a more basic level, all of us, at some point in our lives, can relate to its down-bad declaration: “All I need are cigarettes and alcohol.” — E.S.
In the opening song of their debut album, the Gallagher brothers introduced themselves like this: “Toniiiiight, I’m a rock ‘n’ roll star!” Maybe they were manifesting it; “Definitely Maybe” became the fastest-selling debut album in British history, and Oasis almost immediately became the country’s most important band of the decade. Looking back, the song’s wailing guitar riff sounds almost like a warning siren. A favorite concert closer, “Rock ‘n’ Roll Star’s” blistering guitars and mouth-stretching Liam-isms see Oasis at its most fun: “I live my life in the citaaayyy … I need some time in the sunshee-iiine!” And, with its titular proclamation, it taps into the unspoken desires of every music fan, if only for five minutes. — E.S.
The Gallaghers trade off vocal duties on this rollicking 1995 B-side that became a fan favorite. Although Noel brings the piss and vinegar with his guitar, he also mans the soaring and reflective vocals on the chorus, with lyrics reading like a grudging acknowledgment of the brothers’ bond (“Because we need each other / We believe in one another”). While Noel predictably called this fan theory “total fucking bullshit,” Liam’s sneering melts perfectly into his brother’s crisp tone in a way that proves that, despite all the fights, these two really do need each other. — W.E.
No acoustic guitar or London pub is safe from “Wonderwall,” one of Oasis’ flagship tracks. Named after the 1968 film “Wonderwall — From Psychedelia to Surrealism,” which featured a soundtrack from George Harrison, “Wonderwall” is the type of song that builds towards a conclusion that never comes. Liam Gallagher sings his brother Noel’s lyrics with clarity and a bit of hopefulness, that there’s an answer to some form of despair, as the instruments swell around him. A resolution never arrives, but the sentiment lingers as the song crashes out. — S.H.
Noel might have given Liam “I said maaaybaaayyy,” but he saved the better chorus for himself with “Don’t Look Back in Anger,” which — sorry, “Wonderwall” — is the band’s best sing-along anthem. Its title references the famous John Osborne play, and its piano opening cribs John Lennon’s “Imagine,” a bold move from someone who once boasted Oasis was “bigger” than the Beatles (Noel later retracted that comment, saying he was “high” when he said it). A melancholy, arena-sized rejection of regret, “Don’t Look Back in Anger” builds up to one of rock music’s biggest refrains: “Sooo, Sally can wait!” It was also the first Oasis single to feature Noel’s vocals, proving that Liam wasn’t the only Gallagher capable of carrying a No. 1 hit. — E.S.
The similarities between Oasis and AC/DC may not be obvious — and would probably bring forth a shower of expletives from the Gallagher brothers — but on many songs the template is the same: reptile-brain-simple chord progressions and lyrics, but with a melodic uplift on the chorus that transports the song somewhere else. It’s a fusion of rock and pop that manages to be tough and pretty at the same time, and case in point is this first single from their first album, “Definitely Maybe,” which got the ball rolling in April of 1994. — J.A.
For all his fighting words, Noel Gallagher has always paid respect to his forebears, and this song — the closing track on what many feel is the band’s best album, “(What’s the Story) Morning Glory?” — not only showed a depth and maturity to his songwriting that wasn’t as obvious earlier, it features some slashing guitar work from Paul Weller, whose work with the Jam in the late ‘70s-early ‘80s was a pivotal influence on Oasis. — J.A.
More from our brands, j.d. vance says childless people ‘disorient’ and ‘disturb’ him: audio.
Subscribe to newsletter
August 16, 2024
Updated August 17, 2024
Who are the best guitarists of all time? Keep reading to find the answer that will satisfy your curiosity. In the world of music, certain guitarists have risen to legendary status, not only for their technical prowess but also for their profound influence on the evolution of music itself. Among them, black guitarists have made indelible marks across genres, shaping the soundscape of rock, blues, jazz, and beyond.
From electrifying performances that ignited stages to innovative styles that redefined what was possible with six strings, these artists have earned their place as some of the best to ever pick up a guitar. Here’s a look at 20 of the best black talents of all time, whose artistry and influence continue to resonate:
Widely regarded as the greatest guitarist of all time, Jimi Hendrix’s innovative playing style revolutionized rock music. His use of distortion, feedback, and wah-wah effects set new standards for electric guitarists. Iconic songs like “Purple Haze” and “Voodoo Child” showcase his unparalleled talent.
The “King of the Blues,” B.B. King brought a soulful touch to blues guitar. His expressive vibrato and stinging bends on tracks like “The Thrill Is Gone” have influenced countless guitarists across genres.
A pioneer of rock and roll , Chuck Berry’s energetic playing and showmanship laid the groundwork for future rock guitarists. His hit “Johnny B. Goode” is a rock and roll anthem and a testament to his enduring legacy.
Albert King’s powerful playing and deep, expressive bends made him a blues legend. His influence can be heard in the work of many rock and blues guitarists. Songs like “Born Under a Bad Sign” showcase his distinctive style.
A major influence on rock and blues guitarists, Buddy Guy’s electrifying performances and soulful playing are legendary. Tracks like “Stone Crazy” and “Damn Right, I’ve Got the Blues” highlight his powerful style.
Freddie King’s fusion of blues, rock, and soul made him a standout guitarist. His instrumental hit “Hide Away” and songs like “Have You Ever Loved a Woman” display his dynamic playing and musical versatility.
Prince’s virtuosity on the guitar was just one facet of his incredible talent. His genre-blending approach and electrifying solos on songs like “Purple Rain” and “Let’s Go Crazy” cement his legacy as a guitar great.
Bo Diddley’s innovative use of rhythm and his signature beat have made him a rock and roll icon. His distinctive style is evident in tracks like “Bo Diddley” and “Who Do You Love?”
T-Bone Walker’s smooth, sophisticated playing and use of the electric guitar in blues were groundbreaking. His song “Stormy Monday” is a classic that has influenced many blues guitarists.
Though he recorded only 29 songs, Robert Johnson’s impact on blues and rock music is immense. His intricate fingerpicking and haunting vocals on tracks like “Cross Road Blues” have inspired generations of musicians.
As the lead guitarist for Funkadelic, Eddie Hazel’s psychedelic playing and extended solos were revolutionary. His work on “Maggot Brain” is particularly renowned for its emotional depth and technical brilliance.
Wes Montgomery’s innovative use of octaves and his smooth, melodic playing made him a jazz guitar legend. His recordings, such as “West Coast Blues,” showcase his exceptional technique and influence on jazz music .
Best known for his work with James Brown, Jimmy Nolen’s “chicken scratch” rhythm guitar playing was essential to the development of funk music. His contributions to songs like “Papa’s Got a Brand New Bag” are iconic.
Often referred to as the “Godmother of Rock and Roll,” Sister Rosetta Tharpe’s gospel-infused guitar playing and powerful voice paved the way for rock music. Her performances of songs like “Didn’t It Rain” are legendary.
A pioneering blues and jazz guitarist, Lonnie Johnson’s sophisticated playing and singing influenced many musicians. His work in the 1920s and 1930s, including “Tomorrow Night,” set a high standard for guitar excellence.
Otis Rush’s passionate playing and emotive voice made him a key figure in the Chicago blues scene. Songs like “I Can’t Quit You Baby” highlight his powerful guitar work and deep blues feeling.
As the guitarist for Living Colour, Vernon Reid’s explosive playing and genre-defying style brought a new energy to rock music. Tracks like “Cult of Personality” showcase his technical prowess and innovative approach.
Ernie Isley’s guitar work with The Isley Brothers blended rock, funk, and soul. His searing solos on tracks like “Who’s That Lady” and “Summer Breeze” are unforgettable.
Johnny “Guitar” Watson’s flashy style and blend of blues, funk, and soul earned him a place in music history. His influence can be heard in songs like “A Real Mother For Ya.”
Skip James’ haunting vocals and intricate fingerpicking in his Delta blues recordings left a lasting impact. His songs, such as “Devil Got My Woman,” are a testament to his unique style and influence.
Ready to dive in? Select your preferences and get ready for an experience tailored just for you!
*by clicking Subscribe you agree to our Terms of Service and Privacy Policy
The San Francisco Bay Area has produced some of the most beloved and legendary rock bands of all time. Here's a list our 20 best from the region. Listed in alphabetical order.
A major product of San Francisco's legendary psychedelic music scene from the 1960s, Big Brother and the Holding Company is likely best known for showcasing the bluesy, smokey, whiskey-laden vocal brilliance of Janis Joplin. The group's second studio release Cheap Thrills (1968) is regarded as one of the great albums to surface from the northern California psychedelic rock era. Its version of "Piece of my Heart," with Joplin's memorable and bombastic vocals, is one of the most iconic musical performances of all time.
Certainly the musical happenings in northern California played a big part in Blue Cheer's success — in a heavier way, however. Fusing psychedelic and acid rock with a pinch of punk and experimental, Blue Cheer put that all together for a sound that influenced many heavy metal acts that followed, notably Motley Crue. Rock legends such as Jim Morrison and Eric Clapton also praised this San Francisco outfit, which began turning heads in the mid-1960s and kept playing, in one variation or another, well into the 2000s. Blue Cheer's version of Eddie Cochran's "Summertime Blues" should be considered one of the great covers of all time.
As time went on, Counting Crows — or frontman Adam Duritz at the very least — embraced the culture and musical vibe of Los Angeles. However, the origin of these 1990s alternative pop/rockers can be traced to San Francisco, when Duritz and guitarist David Bryson hooked up as a musical duo, at first. Then the pair branched out to the eventual Counting Crows ensemble that brought the world three stellar albums right out of the gate with August and Everything After (1993), Recovering the Satellites (1996) and This Desert Life (1999).
Friends John Fogerty (and brother Tom), Doug Clifford, and Stu Cook met while in high school in El Cerrito, but Creedence's sound spanned all of Americana — and truthfully, whether music fans wanted to listen or not. While CCR liked to sing about lazy, country living, the group was also quite political in its tone, tackling issues of racism, poverty, and oppression throughout its catalogue, which features some of the greatest songs of any rock band in history. Like many acts of the 1960s and '70s, CCR took an anti-Vietnam War stance — perhaps none more prominent than classic rock and pop culture favorite "Fortunate Son."
Widely considered the most influential of the hardcore punk bands in the United States, and led by famed frontman Jello Biafra (Eric Reed Boucher) and guitarist Klaus Flouride (Geoffrey Lyall) on bass, the Dead Kennedys were formed in San Francisco in 1978. The band made a living with their anti-establishment and government stance. Political preference didn't matter. As time passed, the band — and specifically Biafra — fought censorship, with the brunt of its energy aimed at Tipper Gore's Parents Music Resource Center (PMRC). Classics include "Too Drunk to F*@%" and "Kill the Poor."
Since coming together just south of San Francisco in San Jose in 1970, the Doobies have been going strong for five decades, perhaps because of the versatility among its various lineups and musical stylings. Rock, country, soul, yacht-rock — it's all there for a legendary career. Showcasing the talents of famed musicians such as Tom Johnston, Patrick Simmons, Michael McDonald, Keith Knudsen and Jeff "Skunk" Baxter, the Doobies are responsible for such classic rock favorites like "China Grove," "Listen to the Music," " Jesus is Just Alright," "Black Water," "Takin' It to the Streets" and " What A Fool Believes."
Exodus formed in the late 1970s in Richmond, Calif., within the East Bay, and co-founded by guitarist Kirk Hammett — who, as we'll see in a bit, went on to earn massive success in another Bay Area metal band. Though these thrashers have never enjoyed consistent commercial success, Exodus has long been hailed one of the true pioneers of the northern California thrash/speed metal movement. Exodus has released 12 studio albums ( with 1989's Fabulous Disaster still the gem of the collection ), featured several lineup changes, plenty of in-fighting, and its share of issues with drugs and alcohol. Veteran guitarist Gary Holt and singer Steve "Zetro" Souza are the most notable current members of the band..
Alternative rock/funk/metal outfit Faith No More was spawned from the band Sharp Young Men in the last 1970s in San Francisco. From there, the band's unique sound captivated the Bay Area and beyond. The antics and stage presence of frontman Mike Patton made Faith No More a popular live band, which made a name for itself with the 1985 debut We Care a Lot . In the 1989, the band enjoyed more significant mainstream success with The Real Thing , and hit single "Epic."
Formed in 1965 in San Francisco, the Flamin' Groovies have been quite the influence when it comes to laying the foundation for punk and garage rock, notably in the United States. However, the band, formed by guitarist Cyril Jordan, also excelled in producing what would be an edgier form of power pop. The group's 1971 release Teenage Head has long been considered its masterpiece. So much so that Mick Jagger is reportedly a big fan of the record.
The Dead is arguably the most recognized and cherished band to come out of the San Francisco area (though technically formed south in Palo Alto). Encompassing rock, blues, jazz, bluegrass, gospel, and psychedelia, among other genres, the Dead blossomed from a fun jam band to musical legends. Throughout the late ’60s and ’70s, the Dead never found radio success. Instead, it made a name for itself, and earned acclaim, through playing live . Anybody who ever attended a Dead show knows it’s an experience, from time spent in the parking to the loving community of music and camaraderie once through the gates.
Frontman/guitarist Billie Joe Armstrong and bassist Mike Dirnt started making music together in high school, located on the northern edge of the East Bay area in the tiny town of Rodeo. Eventually wunderkind drummer Tre Cool joined, and Green Day's road to pop rock dominance truly began. The band earned superstardom with 1994's Dookie , but as its popularity grew, the trio had to defend its credibility against the pop-punk posers label. However, Green Day started showing signs of maturity with albums like Nimrod (1997) and Warning (2000). Then, 2004's conceptual gem American Idiot merged its political interests with catchy hooks and riffs.
One of the more celebrated bands of the 1960s San Francisco music scene. Jefferson Airplane's acid/psychedelic rock sound was in step with the usual socially conscious issues of the '60s (anti-government, anti-war, and peace and love). Perhaps the Airplane's most politicized song was 1969's "Volunteers," a shot at the United States government and the Vietnam War. Of course, the trippy "White Rabbit" and infectious "Somebody to Love" have also mightily contributed to this version of the band's stellar legacy. Meanwhile, there was still much to love about what followed from the re-invented Jefferson Starship of the 1970s, but we won't go into the Grace Slick-led Starship era that begin in the 1980s.
Spawned from Santana (more on that topic in a bit), with ex-members Neil Schon and Gregg Rolie as the driving forces of the San Francisco-based band, the early Journey years from the 1970s featured a steady dose of jazz fusion and progressive rock. However, things truly took off when singer/songwriter Steve Perry joined in 1977, and featured an ode to the city of San Francisco on the rock ballad "Lights." Journey enjoyed extensive mainstream success as an arena rock/Album Oriented Rock (AOR) outfit with 1979's Evolution . When keyboardist/guitarist and songwriter Jonathan Cain came aboard following Rolie's departure for the massively popular Escape (1981) record, Journey's musical direction shifted again to a pop-rock arena sound.
Led by harmonica-playing singer Huey Lewis, the News was a creation that spawned from two popular Bay Area bands — Glover and Soundhole — in the late 1970s. With raspy-voiced Lewis as the driving force, the band's early sound was steeped in new wave with a hint of blues rock ( "Do You Believe in Love" and "Heart and Soul"). As the '80s went on and MTV ruled the world, the group took more of a power-pop turn and became one of the most successful groups of the decade thanks to hits like "I Want a New Drug," "The Heart of Rock & Roll," and "The Power of Love." The band often used San Francisco as the setting for its music videos.
Sure, Metallica was formed in Southern California, but it likely would not be the titan of a band it is today if not for relocating to the Bay Area, mainly so Oakland-area bassist Cliff Burton could join the band, then grabbing the aforementioned Kirk Hammett, a San Francisco native, from Exodus. The rest, as we know, is history. Mixing thrash metal with classic rock and punk, Metallica has earned icon status with more than 125 million albums sold worldwide. There aren’t many better career-beginning albums than Kill ‘Em All (1983), Ride the Lightning (1984) and Master of Puppets (1986). Oh yeah, and the band’s self-titled effort from 1991, aka The Black Album, went 16-times platinum and produced one of the great hard rock/heavy metal songs of all time in “Enter Sandman.”
Though Miller formed his first serious rock/blues band in Chicago during the mid-1960s, he soon moved to San Francisco, where The Steve Miller Blues Band was born. Though some of the band's early sound featured a psychedelic influence, blues rock was still its heart and soul. Fellow legendary guitarist Boz Scaggs was a one-time member, and thanks to string of hits throughout the 1970s, like "The Joker," "Jungle Love," and "Take the Money and Run," and into the '80s, the Steve Miller Band remains a classic rock staple. In fact, the band's greatest hits album continues to span generations.
Hailing from El Sobrante, Primus made a name for itself via a uniquely eclectic sound and entertaining live sets. Led by eccentric and extremely talented bassist Les Claypool, Primus stayed alternative even when the genre went mainstream in the 1990s. Guided by Claypool's slap-happy bass playing, Primus delivered their brand of alternative funk and metal, with progressive tendencies, to critical acclaim, The group has received multiple Grammy Award nominations, while not really caring what the establishment thought. Some favorites include " Jerry Was a Race Car Driver ," "Tommy the Cat," and "My Name is Mud."
Though the members of what would become The Residents came together in Louisiana, this unique band didn't fully develop until it headed west and landed in suburban San Francisco in the mid-1960s. Obviously, there was plenty of musical experimentation going on in the Bay Area at the time. The act features a sound that could best be described as avant-garde, experimental and conceptual pop . It also included the introduction of multimedia, notably the CD-ROM, to the production side. Over the years, prominent artists such as George Harrison, the aforementioned Les Claypool, and Devo's Mark Mothersbaugh have been tied to the act, but highly respected musician/composer Hardy Fox was the most dominant force for years. Beginning with 1974's Meet the Residents , the band has put out more than 40 studio albums and several live releases.
Born in Mexico, Carlos Santana and his family eventually made their way up to San Francisco, where the legendary guitarist began his legendary career, and formed his band in 1966. The king of the Latin-influenced rock sound, Santana is a player first and foremost. He was experimental thanks to a number of influences, most notably jazz and the blues, a true representation of the musical melting pot that was going on in the area at the time. Santana fused both, along with some heavy African beats and plenty of soul, to form a sound that was groundbreaking in the late 1960s and into the ‘70s. The popular “Black Magic Woman” and “Soul Sacrifice” are two of Santana’s greatest guitar achievements.
Led by singer, songwriter and producer Sly Stone, along with other family members, the band blended an infectious mix of funk, soul and rock, which influenced the likes of The Roots and Aerosmith to take a soulful approach, and add more rock and pop to the recipe. During the early days of the group, which was rooted in the Bay Area, Sly and Co. would tour throughout northern California, which led to critical praise. Songs like “Dance to the Music” and “Everyday People” remain torchbearers for the funk movement. Its performance of “I Want to Take You Higher” remains a highlight from 1969’s Woodstock celebration.
A Chicago native, Jeff Mezydlo has professionally written about sports, entertainment and pop culture for parts of four decades. He was an integral member of award-winning sports sections at The Times of Northwest Indiana (Munster, Ind.) and Champaign (Ill.) News-Gazette, where he covered the NFL, PGA, LPGA, NCAA basketball, football and golf, Olympics and high school athletics. Jeff most recently spent 12 years in the editorial department at STATSPerform, where he also oversaw coverage of the English Premier League. A graduate of Northern Illinois University, Jeff's work has also appeared on such sites at Yahoo!, ESPN, Fox Sports, Sports Illustrated and NBA.com. However, if Jeff could do it again, he'd attend Degrassi Junior High, Ampipe High School and Grand Lakes University
More must-reads:
Customize your newsletter.
Get the latest news and rumors, customized to your favorite sports and teams. Emailed daily. Always free!
Here are all the songs each state and territory played during the roll call at the 2024 Democratic National Convention.
By Kyle Denis
The Harris-Walz campaign’s love affair with pop music continued in full force on the second night (Aug. 20) of the 2024 Democratic National Convention.
The real magic, however, came during the roll call. During each convention, each U.S. state and territory casts their votes for the party’s presidential nominee; last night’s roll call was a symbolic, in-person version of an August online meeting, in which Vice President Kamala Harris became the Democratic party’s official nominee. DJ Cassidy served as the roll call’s master of ceremonies, using his beloved “Pass the Mic” template to rattle off each state and territory represented in the venue.
For this year’s roll call, the delegates reached across decades of music to illustrate a rich sonic collage of American music history. From country and reggaeton to rock and hip-hop, the breadth of America’s rich blend of cultures and traditions illuminated the United Center arena. To top it all off, Lil Jon made a surprise appearance on the floor of the convention to help his home state of Georgia cast its votes for Harris. As if his mere presence wasn’t enough, he also treated the fired-up crown to a bombastic rendition of his DJ Snake -assisted “Turn Down For What,” which he flipped into a musical tribute to Harris and her running mate, Minnesota Gov. Tim Walz. Georgia wasn’t the only state to make the most of their moment, Pennsylvania, Minnesota and Harris’ home state of California all played multiple songs while they casted their votes.
From Aretha Franklin and Dolly Parton to Beyoncé and Chappell Roan , here are all the songs played during roll call at the 2024 DNC — and where they peaked on the Billboard Hot 100 .
Song: Lynyrd Skynrd, “Sweet Home Alabama”
Song: Portugal. The Man, “Feel It Still”
Hot 100 Peak: No. 4 (chart dated Nov. 4, 2017)
American Samoa
Song: Lady Gaga, “The Edge of Glory”
Hot 100 Peak: No. 3 (chart dated May 28, 2011)
Song: Stevie Nicks, “Edge of Seventeen”
Hot 100 Peak: No. 11 (chart dated April 17, 1982)
Song: Fleetwood Mac, “Don’t Stop”
Hot 100 Peak: No. 3 (chart dated Sept. 24, 1977)
Song: Dr. Dre & Snoop Dogg, “The Next Episode”; 2Pac, Dr. Dre & Roger, “California Love” ; Kendrick Lamar, “Not Like Us,” Kendrick Lamar, “Alright”
Hot 100 Peak: “The Next Episode” peaked at No. 23 (chart dated July 29, 2000); “California Love” peaked at No. 1 (two weeks, chart dated July 13, 1996); “Not Like Us” peaked at No. 1 (two weeks, chart dated May 18, 2024); “Alright” peaked at No. 81 (chart dated Oct. 3, 2015)
Song: Earth, Wind & Fire, “September”
Hot 100 Peak: No. 8 (chart dated Feb. 10, 1979)
Connecticut
Song: Stevie Wonder, “Signed, Sealed, Delivered (I’m Yours)”
Hot 100 Peak: No. 3 (chart dated Aug. 8, 1970)
Democrats Abroad
Song: The O’Jays, “Love Train”
Hot 100 Peak: No. 1 (chart dated March 24, 1973)
District of Columbia
Song: DJ Kool, “Let Me Clear My Throat,”
Song: Tom Petty, “I Won’t Back Down”
Hot 100 Peak: No. 8 (chart dated July 1, 1989)
Song: DJ Snake & Lil Jon, “Turn Down for What”
Hot 100 Peak: No. 4 (chart dated June 14, 2014)
Song: Sabrina Carpenter, “Espresso”
Hot 100 Peak: No. 3 (chart dated June 22, 2024)
Song: Bruno Mars, “24K Magic”
Hot 100 Peak: No. 4 (chart dated Dec. 10, 2016)
Song: The B-52s, “Private Idaho”
Hot 100 Peak: No. 74 (chart dated Nov. 8, 1980)
Song: The Alan Parsons Project, “Sirius”
Hot 100 Peak: N/A
Song: Michael Jackson, “Don’t Stop ’til You Get Enough”
Hot 100 Peak: No. 1 (chart dated Oct. 13, 1979)
Song: Kool & The Gang, “Celebration”
Hot 100 Peak: No. 1 (two weeks, chart dated Feb. 7, 1981)
Song: Kansas, “Carry On Wayward Son”
Hot 100 Peak: No. 11 (chart dated April 2, 1977)
Song: Jack Harlow, “First Class”
Hot 100 Peak: No. 1 (three weeks, chart dated April 23, 2022)
Song: DJ Khaled feat. T-Pain, Ludacris, Snoop Dogg & Rick Ross, “All I Do Is Win”
Song: Walk The Moon, “Shut Up And Dance”
Hot 100 Peak: No. 4 (chart dated May 30, 2015)
Song: Aretha Franklin, “Respect”
Hot 100 Peak: No. 1 (two weeks, chart dated June 3, 1967)
Massachusetts
Song: Dropkick Murphys, “I’m Shipping Up to Boston”
Hot 100 Peak: n/a
Song: Eminem, “Lose Yourself”
Hot 100 Peak: No. 1 (12 weeks, chart dated Nov. 9, 2002)
Song: Prince, “Kiss”; Prince, “1999”
Hot 100 Peak: “Kiss” peaked at No. 1 (two weeks, chart dated April 19, 1986); “1999” peaked at No. 12 (chart dated July 23, 1983)
Mississippi
Song: Sam Cooke, “Twistin’ the Night Away”
Hot 100 Peak: No. 9 (chart dated March 24, 1962)
Song: Chappell Roan, “Good Luck, Babe!”
Hot 100 Peak: No. 8 (chart dated Aug. 17, 2024)
Song: Lenny Kravitz, “American Woman”
Hot 100 Peak: No. 49 (chart dated Oct. 30, 1999)
Song: Katy Perry, “Firework”
Hot 100 Peak: No. 1 (four weeks, chart dated Dec. 18, 2010)
Song: The Killers, “Mr. Brightside”
Hot 100 Peak: No. 10 (chart dated June 11, 2005)
New Hampshire
Song: Journey, “Don’t Stop Believin'”
Song: Bruce Springsteen, “Born in the U.S.A.”
Hot 100 Peak: No. 9 (chart dated Jan. 19, 1985)
Song: Demi Lovato, “Confident”
Hot 100 Peak: No. 21 (chart dated Dec. 19, 2015)
Song: Jay-Z & Alicia Keys, “Empire State of Mind”
Hot 100 Peak: No. 1 (five weeks, chart dated Nov. 28, 2009)
North Carolina
Song: Petey Pablo, “Raise Up”
Hot 100 Peak: No. 25 (chart dated Nov. 24, 2001)
North Dakota
Song: Alicia Keys, “Girl On Fire”
Hot 100 Peak: No. 11 (chart dated Dec. 15, 2012)
Northern Mariana Islands
Song: Marvin Gaye & Tammi Terrell, “Ain’t No Mountain High Enough”
Hot 100 Peak: No. 19 (chart dated July 15, 1967)
Song: John Legend feat. André 3000, “Green Light”
Hot 100 Peak: No. 24 (chart dated Dec. 6, 2008)
Song: Garth Brooks, “Ain’t Goin Down (Til the Sun Comes Up)”
Song: Modest Mouse, “Float On”
Hot 100 Peak: No. 68 (chart dated Sept. 4, 2004)
Pennsylvania
Song: “Motownphilly” (Boyz II Men) & “Black and Yellow” (Wiz Khalifa)
Puerto Rico
Song: Luis Fonsi & Daddy Yankee, “Despacito”
Hot 100 Peak: No. 1 (16 weeks, chart dated May 27, 2017)
Rhode Island
Song: Taylor Swift, “Shake It Off (Taylor’s Version)”
Hot 100 Peak: No. 28 (chart dated Nov. 11, 2023)
South Carolina
Song: James Brown, “Get Up (I Feel Like Being A) Sex Machine”
Hot 100 Peak: No. 15 (chart dated Aug. 8, 1970)
South Dakota
Song: The Romantics, “What I Like About You”
Hot 100 Peak: No. 49 (chart dated March 15, 1980)
Song: Dolly Parton, “9 to 5”
Hot 100 Peak: No. 1 (two weeks, chart dated Feb. 21, 1981)
Song: Beyoncé, “Texas, Hold ‘Em”
Hot 100 Peak: No. 1 (two weeks, chart dated March 2, 2024)
Song: Neon Trees, “Animal”
Hot 100 Peak: No. 13 (chart dated Nov. 13, 2010)
Song: Noah Kahan, “Stick Season”
Hot 100 Peak: No. 9 (chart dated April 27, 2024)
U.S. Virgin Islands
Song: Mic Love, “VI to the Bone”
Song: Timbaland feat. Keri Hilson & D.O.E., “The Way I Are”
Hot 100 Peak: No. 3 (chart dated Aug. 25, 2007)
Hot 100 Peak: No. 1 (five weeks, chart dated May 18, 2013)
West Virginia
Song: John Denver, “Take Me Home, Country Roads”
Hot 100 Peak: No. 2 (chart dated Aug. 28, 1971)
Song: House of Pain, “Jump Around”
Hot 100 Peak: No. 3 (chart dated Oct. 10, 1992)
Song: Black Eyed Peas, “I Got A Feeling”
Hot 100 Peak: No. 1 (14 weeks, chart dated July 11, 2009)
Get weekly rundowns straight to your inbox
Get in the know on.
Billboard is a part of Penske Media Corporation. © 2024 Billboard Media, LLC. All Rights Reserved.
Charts expand charts menu.
Culture expand culture menu, media expand media menu, business expand business menu.
Honda music expand honda-music menu.
This summer, several musicians have popped up in Milwaukee and Chicago arenas to not only perform but also lend their presidential endorsements at the Republican and Democratic national conventions .
Lee Greenwood sang "God Bless The USA" as former President Donald Trump walked out on the RNC stage last month, and Kid Rock also introduced the Republican presidential candidate. Stevie Wonder, John Legend , The Chicks and Pink are among the musicians who have played live at the DNC in Chicago.
This week, Mickey Guyton kicked off as the DNC's first musical performance on Monday, then Lil Jon made a surprise appearance during DNC's roll call on Tuesday to briefly perform "Turn Down for What" and a political remix of "Get Low." On Wednesday, Wonder delivered a rousing speech before taking to the piano for a performance of "Higher Ground."
As the convention came to a close Thursday, The Chicks harmonized as a trio to deliver the national anthem before Pink arrived on stage in a toned-down performance, singing an acoustic version of "What About Us" ahead of Democratic nominee Kamala Harris' speech.
Both conventions, whose purpose is to select the respective political parties' presidential nominees, took on different musical tones via their playlists and live performances. Here's a roundup of everyone who has taken the stage at the DNC and the RNC.
Need a break? Play the USA TODAY Daily Crossword Puzzle.
The DNC roll call was a party: Song list, from 'California Love' to 'Texas Hold 'Em'
Here's who has performed at the DNC:
James Taylor was scheduled to take the stage Tuesday, but his performance was scrapped due to timing.
"It became clear, as the evening unfolded, that there wouldn't be time for our 'You've Got a Friend' with cello and voices. Maybe the organizers couldn't anticipate the wild response from the floor of the United Center," Taylor wrote, in part, in an Instagram post . "Anyway, sorry to disappoint."
Celebrities at the DNC: Lil Jon, Tony Goldwyn, Mindy Kaling and more
On the fourth and final night of the DNC, Pink put aside the bright colors and theatrics of her Summer Carnival Tour and shared the stage her 13-year-old daughter Willow and a group of backup singers in coordinating black outfits.
The quintet sang a moving rendition of her 2017 single " What About Us " with just a guitar accompaniment.
The superstar released her ninth studio album "Trustfall" last year, has been traversing the globe for over a year with her Summer Carnival Tour. She recently wrapped the European leg of the tour and embarked on her North American "homecoming" shows earlier this month.
A mother-daughter night: Pink joined by daughter Willow in moving acoustic performance
As the fourth day was underway, Natalie Maines, Martie Maguire and Emily Strayer came out on stage to perform the national anthem two hours before Harris delivered her final speech to officially accept the Democratic presidential nomination.
While Maines and Strayer wore all-black outfits, Maguire was in a taupe blazer dress adorned with gold stars.
The Grammy-winning country singers, who drew ire from the industry and country music fans after criticizing President George W. Bush and his administration's invasion of Iraq in 2003, also performed at the virtual 2020 DNC .
John Legend and Sheila E. headlined an energetic opener for Kamala Harris' running mate Tim Walz, who officially accepted the Democratic party's vice presidential nomination Wednesday.
The performance paid tribute to one of the most iconic singers from Walz's home state of Minnesota: Prince. Legend, wearing a sparkly white blazer, sang “ Let’s Go Crazy ” from 1984's "Purple Rain" and played a standup piano as Sheila E., donning a white wrap dress, accompanied him on the drums.
Sheila, a frequent collaborator of Prince's, later stepped away to duet with Legend.
In an interview with " CBS Mornings ," which aired the morning of the performance, Legend opened up about his support for Harris and Walz to Tony Dokoupil.
"You can tell from the policy pronouncements that Vice President Harris put out last week talking about the economy, she's not doing that for me. She's doing that for everyday Americans," he said. "And that's what she needs to keep her eye on and keep her ear to, is the concerns of everyday Americans.”
The beats go on: Trump keeps dancing as artists get outraged over his use of their songs
Maren Morris, who started in country music but has since distanced herself from the "toxic parts" of the industry, performed her 2020 song “ Better Than We Found It " on Wednesday. At the time of its release, Morris called it a "protest song," which had an accompanying music video that touched on the Black Lives Matter movement and immigration.
"I am honored to be performing at the Democratic National Convention for the first time ever. It’s a moment where we, as a country, can come together and hear rational plans for the future of women’s and LGBTQ rights," she said in a statement to The Tennessean, part of the USA TODAY Network. "We can be inspired by people’s stories and navigate a safe path forward for our children."
Morris recently told USA TODAY she will "definitely support Kamala any way I can."
"I campaigned for Biden and have met Kamala, and she’s a badass. I feel invigorated to vote. Living in Tennessee, it feels more impactful to have that say," she said.
'Nothing really scares me anymore': Maren Morris on public feuds, divorce, new music
On Wednesday, Stevie Wonder addressed the DNC audience from the podium with a rousing speech that encouraged peace and kindness.
“As we stand between history’s pain and tomorrow's promises, we must choose courage over complacency. It is time to get up and go vote!" he said.
"We must choose to be above the ugly words, the hateful anger and the division those words and anger create. We must keep on keeping on until we truly are a united people of these United States. And then we will reach our higher ground.”
"Are you ready, because you know we need Kamala Harris. Yes, we do," he continued. "And we need a great man that we do have as our future vice president."
He then stepped over to the keyboard to perform his 1973 hit "Higher Ground" with a full band and dancers, who were all dressed in white.
During the DNC's roll call on Tuesday, Lil Jon represented Georgia's delegates, who cast their votes for Harris, with a surprise performance of " Turn Down for What " and "Get Low."
The rapper, wearing a teal satin vest and slacks, made his way through the crowds, occasionally high-fiving audience members. As he arrived at Georgia's section, he encouraged everyone to chant, "We're not going back."
"VP Harris, Governor Walz," he yelled out as the medley transitioned to "Get Low."
The DNC's in memoriam on Tuesday played to the tune of "Godmother of Soul" Patti LaBelle's " You Are My Friend ." Donning an ivory dress with black lace, the R&B songstress effortlessly reached all of the song's high notes.
"God bless America and Kamala Harris," LaBelle said as she closed out the track.
One of Chicago's own — actor and Grammy, Emmy and Oscar winner Common — rapped with gospel singer Jonathan McReynolds on Tuesday.
"I thank God for this moment in time where Kamala Harris will change the world for the better with love, hope and grace. We fortunate," Common said as he launched into his new track " Fortunate ."
Alabama-born singer-songwriter Jason Isbell, donning a navy-blue suit over a white button-down, performed " Something More Than Free " off his 2015 album of the same name.
Before taking the stage, Isbell explained his song choice was inspired by thinking of "the entirety of the party" in an interview with the New York Times .
"I remember seeing back home in Alabama, people would have trailers with cars on blocks, and clearly, people that weren’t doing very well financially, and they had signs in their yard for (George W. Bush). And I remember thinking, a lot of these folks don’t even realize that they’re acting against their own best interests," he said.
"And if we could just convince Americans of what their own best interests are, we wouldn’t have to ask them to be anything other than selfish. It’s like, please vote selfishly, because you’re going to wind up voting for a Democrat, unless you’re part of the top 1 percent of earners. And so I chose this song really sort of with those folks in mind."
Grammy-nominated country singer Mickey Guyton was the DNC's first performer. She took the stage with the track " All American " from her debut studio album "Remember Her Name."
In 2020, Guyton made history with "Black Like Me" as the first Black female solo artist to be nominated in a country category at the Grammys.
"It’s so inspiring to see someone who is not only exceptionally smart, but also happens to look like me, running for the highest office in our country,” Guyton told CNN of her participation at the DNC. Harris "represents so much to so many and I just think it’s incredible. I never thought I would see a woman be president in my lifetime and now it seems attainable.”
'A lot of weight put on your shoulders': Mickey Guyton reflects on being a Black country artist
On the third day, Kid Rock introduced Trump to the stage with a version of "American Bad Ass" that incorporated lyrics about the former president.
"He became a friend of mine over the last ten years and he's amazing, everyone loves him," Trump said during his convention speech.
Lee Greenwood made several musical appearances at the RNC. On the first and fourth days, the country singer-songwriter introduced Trump and played him onto the stage with "God Bless The USA."
"You will not take this man down. He has the courage, the strength and he will be the next President of the United States," Greenwood said.
Country singer Chris Janson, who also performed at the 2016 RNC, played "All American Guy" on the first night.
IMAGES
COMMENTS
Furthermore, Aja, the album that houses Peg, is one of the most impressive American albums of all time, beyond its Yacht Rock appeal. 3. Brandy (You're a Fine Girl) - Looking Glass. Released in 1972, the one-hit wonder by Looking Glass, Brandy, established a much bigger name for itself than the band ever managed to achieve on its own.
20. "Brandy (You're a Fine Girl)," Looking Glass (1972) Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town ...
The 20 greatest yacht rock songs ever, ranked. 27 July 2022, 17:50. The greatest yacht rock songs ever. ... Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time. Don Henley - 'The Boys of Summer'
Putting aside its self-aware inauthenticity, "Africa" is an infectious, 8x platinum AOR monster. 5. "Reminiscing" by Little River Band. Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, "Reminiscing" was guitarist Graeham Goble 's nostalgic take on the swing band era.
And Chaka Khan's "Through the Fire," produced by David Foster, is one her all-time greatest songs, even though it didn't score big in the Land of the Hot-100; still, Khan's vocals are breathtaking ...
Playlist · Yacht Rock - 100 Best Ever - Top Yacht Rock Songs · 113 songs · 2.2K likes.
This week we take a deep dive into the soft rock hits of the late '70s and early '80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 ...
20. "Lonely Boy" (1977), Andrew Gold. The Southern Californian's biggest hit, reaching No. 7 on the Billboard Hot 100. Yacht rock tracks often tell stories, and "Lonely Boy" is one of the great ...
Top 100 Yacht Rock Songs. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. It's all here.
Yacht Rock: Album Guide. From Steely Dan to Christopher Cross to Carly Simon, these smooth summer jams will take you away to where you're going to. Walter Becker, left, and Donald Fagen are Steely ...
Sailing: The Best Of Yacht Rock is the ultimate #YachtRock playlist of the smoothest classic rock songs ever written.
Share your videos with friends, family, and the world
Needless to say, yacht rock targets a specific niche, and even those outside of that niche can enjoy the songs the genre offers. If that sounds like you, then you're in luck. In this post, we've compiled a list of the best yacht rock songs of all time, from deep cuts to classics that came out from 1972 to 1990. 67 Best Yacht Rock Songs List
It's meaningful. These songs reverberate with the joy that we as a band play these classic vinyl cuts. Yacht rock playlist. Furthermore, click on this link to find a website that rates the top 100 yacht rock songs of all time. In addition, the commentary is brilliant! Lastly, consider it Anchors AWEIGH and you can thank us later!!!!!
Brandy (You're a Fine Girl) - Looking Glass. Written by the band's lead guitarist Elliot Lurie, pop-rock band Looking Glass is a one-hit wonder thanks to their popular single 'Brandy (You're a Fine Girl).'. The song tells the story of a young "barmaid" in a bustling seaport who brushes off endless propositions as she longs for ...
Listen to the The Best Yacht Rock Songs (That Don't Suck) playlist by Rolling Stone on Apple Music. 12 Songs. Duration: 1 hour, 1 minute. ... The 100 Greatest Hip-Hop Songs of All Time. 500 Greatest Songs: Vol 10. 500 Greatest Songs: Vol 10. 500 Greatest Songs: Vol 9. 500 Greatest Songs: Vol 9. Featured Artists.
YACHT ROCK | TOP 100 SONGS. Filtr. Preview. 70s + 80s Soft Rock for a day on the boat. Island tunes, chill summer hits + nothing but smooth sailing while jamming to hits from TOTO, Looking Glass, Billy Joel, Hall & Oates + more. 101 Songs, 6 hours, 52 minutes. More By Filtr.
Latest Content - https://linktr.ee/martyschwartzPatreon - https://www.patreon.com/MartyMusicWebsite - http://www.MartyMusic.comMerch - https://teespring.com...
Summer Breeze - Seals & Crofts. The oldest of our Top 10, this song was released in the late summer of 1972, and immediately became a top 10 hit on the Billboard charts. It screams Summer, and beachy vibes, and of course the smell of Jasmine and the line "July is dressed up and playing her tune" cannot be denied as all time Yacht Rock.
If you don't love songs about boats, one-night stands, and breezy California nights, you've come to the wrong place. Yacht Rock embodies the singer-songwriter soft rock that dominated FM radio playlists in the '70s. Combine slick L.A. production, earnest singing, and a touch of lite-country songwriting, and chances are, you had a Top 40 hit. These are the best of them.
Highest Rated Yacht Rock Albums of All Time. 1. Boz Scaggs - Silk Degrees. 2. Donald Fagen - Morph the Cat. 3. Al Jarreau - Breakin' Away. 4.
Buffett's music embodies a carefree lifestyle that mirrors the feel and attitude of yacht rock. His iconic song Margaritaville instantly puts listeners in a vacation mindset, a unique characteristic that has garnered it extensive praise and airplay over the years. The passing of Jimmy Buffett, an American legend, touched the hearts of many.
Popular in the late 1970s and into the '80s, there are some notable tunes of the ilk (smooth rhythms, light or "breezy" vocals, well-polished and produced) from earlier in the '70s that fall into ...
It's now called Low Dive and DJ Atom Worth and Yacht Rock return Friday, Aug. 25. Yacht Rock is the term, first used in a 2005 online music parody, for the Southern California soft rock of the ...
It's a fusion of rock and pop that manages to be tough and pretty at the same time, and case in point is this first single from their first album, "Definitely Maybe," which got the ball ...
Widely regarded as the greatest guitarist of all time, Jimi Hendrix's innovative playing style revolutionized rock music. His use of distortion, feedback, and wah-wah effects set new standards ...
incorporates elements of smooth soul, smooth jazz, r&b, funk, rock and disco.
Oh yeah, and the band's self-titled effort from 1991, aka The Black Album, went 16-times platinum and produced one of the great hard rock/heavy metal songs of all time in "Enter Sandman."
Here are all the songs each state and territory played during the roll call at the 2024 Democratic National ... From country and reggaeton to rock and hip-hop, the breadth of America's rich ...
Donning an ivory dress with black lace, the R&B songstress effortlessly reached all of the song's high notes. "God bless America and Kamala Harris," LaBelle said as she closed out the track.